Articles by Will Pruett


Will’s New Thing – Lucha Underground provides wrestling in a movie theater on a roller coaster, Sami Zayn is brilliant, delayed Shane McMahon fawning, and more!

By Will Pruett

I am 30 years old and I have had cable for most of my life. I missed the era of closed circuit pay-per-view watching and honestly, it makes me a little sad. Being in a crowd of wrestling fans is usually amazing. Sitting at home alone watching shows can be draining. Fans bring energy to a show, whether you’re in a building live or watching with a vocal group. This is why I drove into Downtown Los Angeles on Tuesday afternoon to attend a special screening of Lucha Underground’s Season 3 Finale (Ultima Lucha Tres Part 4).

I’ll admit to not really reading the invitation, aside from where the show was, and having no idea what I was getting into. I rushed to my seat and looked down at my armrest. There was a button to turn the water on or off. This is obviously not a standard feature in movie theaters. Then, I realized this wasn’t just a fancy theater footrest, but that my seat rose precariously out of the ground. This was a “4DX” theater, meaning the seats, fans around the room, water jets, fog machines, and air cannons have been synced with the action on the screen. With this screening, Lucha Underground became the first TV show to be shown in this type of theater.

A communal experience was what I came for and the community around me seemed to not know what to expect from the moving seats either. We were jostled, cajoled, sprayed, and fanned in unison, each new effect drawing some gasps, then delight. Each new way the seats tossed us around, we greeted with a laugh, smile, and sometimes applause. Add to this a show with two hours of very intense wrestling and every person in the theater seemed to be having a good time.

Even as the night bore on and there were no new effects to be had, certain moments still drew expressions of joy. Occasionally, the chairs and the wrestling in the ring would be synced absolutely perfectly (as opposed to almost perfectly) and we’d find ourselves twirling with a flying headscissor takedown. It was neat when it was perfect. At the same time, the constant small shakes with every punch could get tedious. When you knew what to expect, it wasn’t quite as fun. They could have saved some tricks, effects, or movements until the end and built throughout the show. Maybe not shaking everything at once would help sustain the novelty.

The wrestling show itself, Lucha Underground, is a show I walked away from at the end of its second season. After calling it the future of wrestling and the next great advance of artistic quality in its first season, it proved to be a disappointment in its second. This was the first episode of season three I watched.

I was struck by how much I missed The Temple as the show began. Going to Lucha Underground tapings in Los Angeles was always an undeniably great time. I have also missed the cinematic style of the show. The lighting feels different. The vignettes feel different. It’s a different take on what wrestling can be and I still appreciate the creativity that has gone into it. What I loved about Lucha Underground when I first watched is still true today.

At the same time, the problems that caused me to walk away from Lucha Underground were still apparent. The show seemed to ratchet up violence to an absurd degree, especially things like large men slamming much smaller women, and the use of glass, barbed wire, and various other weapons. Season one didn’t go to this dark place aside from the Vampiro vs. Pentagon match at the first Ultima Lucha. Matt Striker is still insufferable (at one point, most of the theater was yelling “shut up” at the screen as he spoke). Every match on this show had some form of interference. The first two matches had rule changes and restarts provided by maniacal promoter Dario Cueto. Dario was an interesting character at one point, but seemed to settle into being a less stable version of the insane authority figure many feared he’d be.

I enjoyed watching this episode. Heck, I may go seek out my colleague John Moore’s recommendations for what I must see from season three. Should the show get a fourth season (which seems like it could happen, but under immense budget constraints), I’d watch the premier to see the fallout from the cliffhanger ending of this episode.

Lucha Underground has always been a mixed bag. Much like seats vibrating and shaking you with the wrestling you’re watching, it’s a fun new experience, but has limited staying power. Novelty is necessary to remain innovative.

Lucha Underground’s novelty wore off, even as this show crescendoed with the long awaited Pentagon Dark championship win. What was once new and innovative settled into the tropes of overbooked professional wrestling, which was depressing to see. I’ll still fondly reminisce about the good ol’ days of season one when the world was innocent and full of hope.

Last week’s essential viewing:

What matches/segments/moments do you need to see from the last week of wrestles?

Anything involving Shane McMahon, Kevin Owens, and Sami Zayn – Sometimes stories come out of nowhere and wrestling seems to give you a gift. I feel like this is a gift structured specially for me. Owens and Zayn becoming friends again has utterly charmed me. Shane McMahon and Owens had a great Hell in a Cell match with an amazing build. These three guys are putting something special on our screens and it’s the only reason to watch Smackdown right now.

The Shield reunion – Speaking of only reasons to watch WWE through certain seasons, Seth Rollins, Roman Reigns, and Dean Ambrose provided that in Autumn 2012 and 2013. Their reunion hasn’t been perfect, but it has had some perfect moments. Their entrance this past Monday? Perfect. The triple powerbomb to Braun Strowman? Perfect. WWE rarely gives us everything we dream of (a subject for another day) but The Shield reunion has provided some great moments.

The Usos vs. The New Day (WWE Hell in a Cell) – An innovative and exciting tag match from two teams who can’t do any wrong together.

What I absolutely positively love in wrestling this week:

Sami Zayn – I’m not sure I ever expected to heel Sami Zayn as a villain. It doesn’t even feel natural to type. I thought it would break my heart. I was so entirely wrong. Zayn, before his antagonistic move at Hell in a Cell and since, has been convincing, conniving, and truly motivated. Sami’s logic is just solid enough to make him believable. As a fan of his, I can’t even say he’s wrong. It’s a great place for a heel to be and a great place for a top level performer.

If you enjoy getting a little bit of what I love in wresting, check out my new YouTube series called “What I Love About Professional Wrestling!”

What I absolutely positively love in the world this week:

You’re The Worst – This television show (on FXX) is in the middle of its fourth season and is still surprising and delighting me, but don’t go into where it is now. Go back to the beginning and watch the show’s transcendent second season. This is a sitcom, yes, but it also shows a very real struggle with depression and addiction. It shows the effects of PTSD. It brings us truth in action in a remarkable way. It’s one of my favorite shows on TV (up there with Master of None). Aya Cash and Kether Donohue are particularly amazing, by the way.


Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Here are some of the super fun and appropriate things mailed to me after my last piece:

“How many times can you use the word ‘delightful’ in one column? Get a thesaurus!” – Shauny

This person was right, actually. I overindulge in the word “delightful” and should probably back off a little.

“Where have you left your balls? Your liberalism is such a turnoff.” – Brandon

Ummm… The current location of my testicles is private, but I am sure I haven’t left them anywhere. As for my liberalism, I hope you can find a pro wrestling writer who delivers the kind of liberalism that turns you on.

Okay, so a ton of people wrote in about that particular piece of mail rightfully calling the guy an idiot as well. Keep the mail coming, friends!

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

How f—ing good was Owens vs. Shane!?!? It was a religious experience.

We’re Done Here:

It’s been a couple weeks and the world has one less Aaron Rodgers playing football, one more Star Wars trailer that makes me cry every time I watch it, a whole lot of SNES Classics, and a bunch of other things happening too. I hope you’re all well, good, and fighting the good fight (or napping the good nap). Until next week…

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – Brock Lesnar allows WWE to indulge in their worst storytelling habits, great things to listen to, and an even greater Shane McMahon gif!

By Will Pruett

At No Mercy on Sunday night, we saw WWE do a very WWE thing. They took a red hot top star they created in the last year and fed them to a star they created over a decade ago. WWE decided against the new young prospect fans were excited about and went with the status quo. While some people will call Roman Reigns’ assumed WrestleMania victory over Brock Lesnar the problem here, I believe the problem is Brock Lesnar himself. Brock Lesnar allows WWE to indulge in their worst habits and is bad for storytelling, WWE, and pro wrestling in general.

Like most other wrestling fans, I was on board the Brock train when Lesnar returned in 2012. After his UFC career (seemed to have) ended, Lesnar returning to wrestling was delightful. His first match, where he and John Cena had one of the best main events of the era, was amazing. Lesnar has never performed like he did on that first night back and he’s never lived up to that standard. It was exciting, but since Extreme Rules 2012, I’ve been left wanting.

Brock Lesnar plays into WWE’s strange hunger for mainstream appeal. We are talking about a performer who can get mentioned on Sportscenter (and not just featured awkwardly talking to WWE stooge and media criticism dullard “The Coach”). Lesnar crossed over multiple sports and, as much of a cultural zeitgeist exists outside of politics, Lesnar belongs in it. Brock is a star, of sorts.

What does it say in WWE when a star gets to take months off between matches even when they’re the most important champion in the company? What does it say when said star won’t have a match over 15 minutes without the chance to take a breather in the back before re-entering? What does it say when since April of 2014, the most notable thing about Brock Lesnar was how he lost in 90 seconds to Goldberg in Goldberg’s first match since 2004?

WWE’s bad habits are in full effect here. We are seeing the stars they can actually tell compelling stories with today systematically fed to 2002’s Next Big Thing. Samoa Joe was in the brightest spotlight of his career and doing great work. He lost to one F-5. Braun Strowman was the best homegrown WWE talent since The Shield (and still is) and he lost in less than ten minutes.

It’d be different is Brock Lesnar was making a notable difference in WWE’s business. Shows with Brock Lesnar on them don’t sell out. WWE Network numbers don’t jump up for Brock Lesnar appearances. Brock Lesnar doesn’t even seem to be helping WWE’s ratings when he is on television. What exactly is the point of him? I won’t even get into the absurd amount he gets paid to bounce behind Paul Heyman and occasionally turn purple.

So, what’s the endgame? Am I supposed to be excited about another Lesnar vs. Reigns WrestleMania main event. The first match was delightful, but the build to it was the worst in the modern history of WrestleMania. Remember this?

Can you really believe that an undefeated Braun Strowman going in WrestleMania against Roman Reigns isn’t more compelling than another Brock and Roman affair? What about Samoa Joe, the destroyer, heading into the show of shows?

WWE’s insistence on putting Brock Lesnar, a star of yesterday, ahead of the stars of today is awful. It’s counterproductive. It’s exactly what landed WWE in the awkward position they’ve been in for a decade where they overemphasized Attitude Era has beens on major shows and ended up with a generation of midcarders.

Last week’s essential viewing:

What matches/segments/moments do you need to see from the last week of wrestles?

Roman Reigns vs. John Cena (September 24, 2017 – WWE No Mercy) – A match worthy of the pseudo-WrestleMania vibe WWE attempted to give it. Reigns and Cena broke out all of the formulaic and delightful tricks to give us a great main event quality matchup. The overall story of the Reigns having his fifth torch passed to him was odd, but Cena and Reigns delivered.

Seth Rollins and Dean Ambrose vs. Cesaro and Sheamus (September 24, 2017 – WWE No Mercy) – This was a great tag match from four absolutely great professional wrestlers. Rollins and Ambrose have ignited the Raw tag division since joining. Cesaro and Sheamus are always delightful. Add in Cesaro’s absolutely brutal injury in this match and it’s definitely worth watching.

Kevin Owens and Sami Zayn promo (September 26, 2017 – WWE Smackdown Live) – As I discuss below, Sami showed some amazing fire here and Owens continues to do great work. I wish everyone in wrestling had characters as well defined as Sami’s was here.

What I absolutely positively love in wrestling this week:

Sami Zayn’s babyface fire – A pet peeve of mine in wrestling is when a babyface doesn’t acknowledge actions as right or wrong. In a modern morality play, which is what wrestling is, it is exceptionally weird to have a “good guy” cheating without cause. I felt this about Roman Reigns roofie-ing Stephanie McMahon and about a ton of moments where John Cena hit first. Sami Zayn is a wrestler with a true moral compass. On Smackdown, he talking about doing things the right way and how his time would come. I couldn’t help but be inspired. Remember, his NXT Championship victory over Neville at the end of 2014 was built around Sami doing it the right way. Sami Zayn’s fire and moral compass remind me of what I love in wrestling.

If you enjoy getting a little bit of what I love in wresting each week, check out my new YouTube series called “What I Love About Professional Wrestling!”

What I absolutely positively love in the world this week:

“Walk Into a Storm” by The Lone Bellow – The song is the highlight of the album of the same name. The Lone Bellow’s sound is more country than not, but has some amazing soaring gospel inspired moments that take me by to my charismatic Christian upbringing in the best way. Everything they write is a little haunting and absolutely sincere. Listen to this song, then dig back into their prior albums. You won’t regret it for a second.

It’s Been a Minute with Sam Sanders – You’re getting two picks I’m listening to this week since I spent last weekend driving up the California coast for a family vacation. Sam Sanders was a grounding presence on NPR’s delightful Politics podcast. His spin-off show has a little bit of politics, a little bit of pop culture, a little bit of general life discussion, and an amazing final few minutes every week. Listen to the end to hear listeners call in with their best moments of the week and try to keep from crying. I can’t.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Alright, this week, I’m going to generously quote a very long and very bad email I got from a human named Steven. His original email is very long, so I’m going to run it in clipped form…

“First off, I just wanted to say that I think you’re a thoughtful and talented writer.”

So far, so good.

“Here’s the thing, though: I don’t want to see more women’s wrestling in the W.W.E.”

And then you had to go and ruin it…

“However, before I elaborate on my point, I just want to say a few things in my defense. I am very much in favor of equal rights for women in society. I fully support women’s reproductive rights, and I’m outspoken against income inequality between the sexes. I’m all for women holding positions of power in the workplace. My mother and sister are outspoken feminists, and I agree with them on many issues.”

Your mom and your sister being feminists does not lend you credibility here. In fact, having to specifically list them as feminists and thus leaving yourself out of the feminist category does hurt you.

“I’m just not as interested in female wrestling as I am in male wrestling… If there were five male matches and five female matches, I’d find it tedious, and I’d especially find it tedious if there was a female-wrestler ‘Mania main event. What’s more, I think that there’s a lot of male fans out there who’d agree with me…though, in today’s politically correct society, I doubt many of them would dare to voice such an opinion.”

I always enjoy when political correctness gets brought up. Your bad opinion doesn’t make you some sort of brave culture warrior, it makes you an ass. Please, go on…

“I’ve been watching wrestling, and the W.W.E., for thirty years… One thing that I’ve noticed, at every show that I’ve ever been to, is that the audience skews more male to female. Wrestling is a boy’s club…and sometimes we boys need our clubs. It’s not to say that we want to be exclusionary of female fans…”

Alright dude, you want a boys club, but you don’t want to exclude women? What the f*ck do you think the actual purpose of a boy’s club is? Wrestling has been primarily marketed towards men for decades, what the hell do you expect the audience to look like? Of course it’s mostly over-the-hill men like you; you’re all they’ve aimed themselves towards.

“I tune in primarily to see the male wrestlers…female wrestling just seems like more of a gimmick to me. I don’t want to see equality in wrestling, and again, I think a sizeable amount of the W.W.E. audience…which, again, skews male…would agree with me, even if they’d be reluctant to admit it in a public forum.”

Sometimes, the majority is wrong, especially the majority of an audience that has catered to one group of people for a very long time. If I told you the audience for superhero movies was majority male, you’d think we should never have female superheroes. Wonder Woman was the highest grossing movie of the Summer this year. Wrestling has always been done one way on the national scale. Every WWE PPV since 1985, aside from one, has been main evented by men. Maybe, much like with superhero movies, wrestling is ready for something better.

Imagine if WWE’s audience was 50% female. There’s nothing that says it can’t be. WWE boosted its female audience since it stopped deriding them with the term “Diva” and making them sit in pie for entertainment. WWE would gain even more female fans by presenting women as more than 3-10% of the show and giving the slightly over 50% of the world’s population some equal representation.

“You might have stopped reading a while ago, and I very much doubt you’re going to respond to this e-mail directly on the website.”

Hi there.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

We’re Done Here:

We don’t even have to wait until Sunday to see some good ol’ Packers football this week! Heck you don’t need to have cable, either! What a wonderful time to be alive.

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Pruett’s Vlog: What I Love About Professional Wrestling – Episode 4 – The Good Guys (and Girls) Win

By Will Pruett

This week in What I Love About Professional Wrestling, I talk about how sports and real life can often disappoint us, but wrestling makes sure the good guys and girls win in the end!

Subscribe to my YouTube channel!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – The Mae Young Classic is over and women are still underrepresented in WWE, what I love in and out of wrestling this week, and recommended reading

By Will Pruett

The Mae Young Classic has come and gone and WWE accomplished something great with it. All of their Network-specific tournaments (MYC, CWC, and UK) have been presented fantastically, but the Mae Young Classic was more than that. It took a population under-represented in WWE’s own programming and showed what they are capable of. It created and added depth to characters WWE can use for years to come. It was great. With the Mae Young Classic over, I want to look at where WWE is in terms of presenting women.

First of all, to talk about the Mae Young Classic, and not offer a heaping helping of shade to throw on the commentary would be a disservice. Jim Ross offered the least compelling commentary performance I’ve heard in decades while describing women’s wrestling with a severe lack of passion. At Tuesday night’s MYC finals, he didn’t recognize any of the women who had competed in the tournament, describe Asuka as “a fan” at ringside, and embarrassed himself at just about every turn. Ross was atrocious. Lita, to her credit, kept Tuesday’s show above water by trying to rescue Ross from himself. This was disappointing and one would think Ross, who knows every college football player from the last 50 years by heart, would have taken the time to learn the names of the women involved. I’ll go ahead and chalk this one up to casual sexism before moving on.

With that out of the way, how is WWE doing in their presentation of women? One of the best ways to gauge this is time. WWE has an absurd amount of time to dedicate to whatever they want on their weekly shows. Raw and Smackdown total to equal over five hours of wrestling television in a week. How much of that time is dedicated to women? Well, I use Kate Foray’s Raw Breakdown Project to keep track of such things and (unlike Kate’s graphic designs) it’s not pretty.

This week, Raw’s three hours and four minutes had four percent of its total time dedicated to women, while Smackdown’s two hours had only seven percent. To remind you, women make up about 50% of the total population of earth. So, why not dedicate a significant portion of a wrestling show to them?

Alright, so maybe women aren’t getting enough time, but are they represented elsewhere in WWE’s empire? What about on commentary, a place where anyone with a voice can repeat Rocket League plugs? WWE has five men calling Raw and Smackdown with absolutely no women. Surely, NXT has women calling matches though? I mean, they are the forerunner and training ground for WWE. Well, there are no women calling matches in NXT either. Women are seriously underrepresented at WWE’s announce tables.

With this evidence staring me in the face, I have to dive deeper. While WWE doesn’t release the statistics, I would still love to know how many women are working in the creative process at WWE. How many of their writers are female? What about the production department? These things matter just as much as seeing female talent in front of the camera. From simply looking at WWE’s track record with writers and production personnel, I’d be willing to bet both departments are largely, if not completely, male.

WWE has come extremely far from Diva Dodgeball, women sitting on pies to impress The Rock, and a butterfly and/or vagina shaped belt, but they still have a long way to go. WWE made a big deal out of Sasha Banks vs. Bayley main eventing a NXT Takeover and Charlotte Flair vs. Sasha Banks main eventing a WWE pay-per-view, but both NXT and WWE’s main roster have not featured a special event with women in the main event since.

I’ll give WWE a ton of credit for the Mae Young Classic, but ignoring the ongoing problems with the presentation and representation of women on their television would be wrong. Take a victory lap, WWE, but please get to work. These are problems WWE has created themselves and problems they could easily fix.

Last week’s essential viewing:

What matches/segments/moments do you need to see from the last week of wrestles?

Shayna Baszler vs. Kairi Sane in The Mae Young Classic Finals (September 12, 2017) – First and foremost, watch this. It’s important. For life. Sane vs. Baszler had quite a bit working against it. Unlike the CWC finals, it was tacked onto an episode of Smackdown. It took place after a major angle with Vince McMahon and Kevin Owens. Fans in the arena seemed hesitant to dive into this match (and I’m sure some left). Sane and Baszler managed to capture the imaginations of fans, bring them to their feet, and compel the fans to roar by the end of this match. It was great! Kudos to both women for making this a match and tournament to remember.

John Cena vs. Braun Strowman (WWE Raw, September 11, 2017) – This was the first time ever match between two of the biggest stars in WWE today. It was also just a ton of fun. Cena knows his big man spots by heart at this point and performs them well. Braun has an otherworldly charisma I’m delighted to see on display. This was a great little treat from these two.

Vince McMahon and Kevin Owens (WWE Smackdown, September 12, 2017) – Kevin Owens grew up watching “Don’t cross the boss” era Vince McMahon, so this had to be an especially fun moment for him. McMahon and Owens had a very compelling segment leading to Owens assaulting the ever-aging chairman. This was surprisingly physical and vicious. Owens continues to get opportunities I never thought he’d have years ago and it continues to make me smile.

The Usos vs. The New Day (WWE Smackdown, September 12, 2017) – Do these teams ever not deliver? Switching the Smackdown tag team championship back and forth is an interesting storytelling strategy, but if the matches are this good, I don’t mind! The Usos and New Day are magic.

What I absolutely positively love in wrestling this week:

Experiencing Wrestling with Friends – If you read what I write often, you know I get caught up in the intellectual side of wrestling. I admit to overthinking and overanalyzing wrestling fairly often. Hell, a couple weeks ago I wrote about Brechtian theatre and wrestling, which is a little ridiculous (don’t get me wrong, it was some great analysis, but still…). This week, I went to Raw with a good friend and had the chance to catch up with him. Wrestling is about community and giving people space to connect. This was a great experience and a really fun time.

Had a wonderful time @wwe #Raw with @thejohnworsham this evening!

A post shared by Will Pruett (@itswilltime) on

If you enjoy getting a little bit of what I love in wresting each week, check out my new YouTube series called “What I Love About Professional Wrestling!”

What I absolutely positively love in the world this week:

Bored and Brilliant by Manoush Zomorodi – This book served as a nice reminder of the importance of disconnecting and letting oneself get bored. It’s too easy to never feel boredom with 27 wrestling streaming services, Netflix, and all of the great things we can watch, listen to, and experience. Zomorodi creates a wonderful case for letting your mind wander and gives you ways to do so. If you’re ever feeling like you’re super busy but never productive (or just overwhelmed by all the things) this is a great read and experience.

This Week’s Essential Reading:

Is WWE Finally Recognizing the Buying Power of Women and Girls? by Scarlett Harris

The Best of the Mae Young Classic tournament by April Lavalle

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

We’re Done Here:

You did it! It’s the end of another piece by me and almost the end of another week. Time to ride triumphantly into Friday like Triple H on his weird ass tricycle from this year’s WrestleMania… Also, for Sunday, Go Pack Go! (Editor’s Note: Vomit)

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Pruett’s Vlog: What I Love About Professional Wrestling – Episode 3 – My hand touching your hand…

By Will Pruett

This week in What I Love About Professional Wrestling, I talk about those moments when superheroes ask for fans help, Dusty Rhodes and The Rock reaching out of the screen to touch fans, and why wrestling is basically magic.

Subscribe to my YouTube channel!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – Roman Reigns and John Cena perform awkward Brechtian theatre, I can’t stop listening to Kesha, reader mail, and a Shane McMahon gif

By Will Pruett

Verfremdungseffekt. That’s right, I’m breaking out the obnoxious German terms today. What is Verfremdungseffekt? I’m glad you asked. Well, I’m glad you’re still reading at least. To answer I have to tell you about Bertold Brecht (German playwright and director, 1898-1956), who pioneered a style of theatre John Cena and Roman Reigns attempted to practice on Raw with limited success. Let’s talk Brecht and Verfremdungseffekt first, then wrestling.

Brecht wanted theatre to be more than just a one way conversation. He wanted to draw the audience into the discussion and make theatre an avenue for social and political commentary (theatre, has always been an avenue for political and social commentary, by the way). He wanted to bring more thinking and less feeling to the theatre (although Brechtian theatre done well does allow for both), causing the audience to look inside themselves and at the world around them.

Brecht did this by reminding the audience early and often that what they were watching was a scripted play. He never wanted the audience to forget where they were (in a theater). While most directors and artists would love for an audience member to disappear into the world, Brecht never wanted spectators to become completely immersed. He eschewed empathy for rational thought.

This brings us to Verfremdungseffekt, or the estrangement effect. The goal is to create distance between the characters and the audience. With this distance, the audience doesn’t invest emotionally and rational thought about the play can happen. The desired outcome of Verfremdungseffekt is for the audience to stop suspending disbelief. It goes against what theatre was up to this point (okay, some theatre was doing this for a long time before, but there is nothing new under the sun).

John Cena and Roman Reigns (I told you I’d talk about wrestling eventually) tried their hands at Verfremdungseffekt on monday night. As a viewer, their exchange forced me to leave the moment of two superheroes colliding (or, well, discussing their upcoming collision) and think about wrestling as a pre-planned scripted entertainment medium.

By discussing the role of the top protagonist in WWE John Cena filled for years, then passed to Roman Reigns, WWE asked us to consider it as something given and not earned. They told us it wasn’t Cena’s “Hustle, Loyalty, and Respect” that brought him to the top, but a writer making a decision.

I would assume, when the writers in WWE penciled John Cena vs. Roman Reigns onto the No Mercy card, they expected excitement. Why wouldn’t they? It’s the two biggest stars of WWE’s last decade facing off for the first time ever. Reigns vs. Cena is huge. It is a major match. It is two WrestleMania main event stars having a match people would expect to see in a WrestleMania main event. I can’t overstate how big Cena vs. Reigns is.

So why, as WWE is giving us the biggest match they might be able to provide in this decade, are they asking fans to step back and consider the scripted nature of professional wrestling? Why, when Cena vs. Reigns is the biggest possible match WWE could make, are fans being asked to alienate themselves and not emotionally attach to the story? Why, when WWE creates the biggest thing it could create, are they tearing it down at the same time?

John Cena and Roman Reigns are unwitting actors in a play that isn’t supposed to be Brechtian, but somehow is. Instead of building a logical and exciting feud within the world WWE has created, they’re attempting to go outside. Why?

No one who knows Cena and Reigns are using insider terms and discussing performance as measurable by more than wins and losses believes they will really fight each other. While the insults are certainly more interesting to those who follow the ins and outs of the wrestling business, they are not more compelling. At the same time, this distancing of Cena and Reigns as “more real” makes everything else, including the other insanely huge match on the show Lesnar vs. Strowman, seem less real. By breaking down barriers in one portion of the show, WWE is breaking them down across the entire show.

I doubt WWE is distancing its viewers to try and motivate political action like Brecht often was. While the Smackdown Your Vote campaign was ineffective and awkward at best, I don’t believe WWE is going with the high art approach to voter registration.

This unintentional distance can only hurt WWE, who would love for you to be as emotionally invested as possible in John Cena and Roman Reigns. They aren’t purposefully channeling Bertold Brecht and Verfremdungseffekt, but they have unintentionally wandered into an area where research, study, and theory exists as to why what they’re doing will have the opposite of their desired effect. WWE wants John Cena and Roman Reigns to feel epic, but in going about it this way, they’re taking away the audience’s ability to feel anything about it.

Last week’s essential viewing:

What matches do you need to see from the last week of wrestles?

The Mae Young Classic – Just watch it all. Go on. I’ll wait. I hope it was an entertaining four hours. WWE does masterful work with these tournaments. They are presented as important. They are amazingly diverse. They are delightful and easy to watch, never insulting a viewer’s intelligence. All of the special tournaments have been great and seeing the over 50% of the population WWE chronically under-represents comprise an entire tournament is freaking amazing. Skip Raw. Skip Smackdown. Skip NXT. Skip GFW (forever). Skip ROH. Watch the MYC.

What I absolutely positively love in wrestling this week:

The US Championship Open Challenge – What started as John Cena’s weekly attempt to have a great match with a random opponent has become the identity of a silly undercard title. The US Championship wasn’t taken seriously in its various incarnations across promotions from 1997-2015. Cena resurrected the title and gave whoever holds it something unique and fun to go back to. Hopefully we see more of these open challenges on Smackdown every week.

If you enjoy getting a little bit of what I love in wresting each week, check out my new YouTube series called “What I Love About Professional Wrestling!”

What I absolutely positively love in the world this week:

Rainbow by Kesha – Sometimes I would just highlight a song or two here, but it would do a disservice to the work of art this whole album is. Kesha’s first album in years is completely true to herself and emotionally tells the story of being a survivor of abuse from her former producer. She is stronger for it. The art she’s made coming out of it is inspiring and deep. The first single released, “Praying” hits an emotional crescendo that will wreck you. “Hymn” will make you want to scream along. “Woman” is a catchy declaration of strength. Kesha rules, people. I can’t stop listening to this entire album.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Becky said:

You need to work in the medical field. Your articles can cure insomnia better than anything they ever have. Congrats.”

Well, Becky, I like to think I’m making a difference one Shane McMahon gif at a time. I’m glad you found a way to get to sleep! I tend to use episodes of WCW Nitro from 2000 to help me turn off my brain, but I’ll try my blog instead!

Someone I think is named Hank said:

Wrestling is a reflection of reality. Figure out how to stop the cynicism in things that matter like politics and society, maybe things that don’t matter like wrestling will follow suit.”

Hank, are you the person who brings up starving children at nice dinner parties? I’m sorry I didn’t write about cynicism in politics. I can only do so much here on a professional wrestling website and some (but not my editor) would say I push that boundary at times.

I’ll be honest, y’all could up your comment game.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

I assume this is Shane’s reaction every week as he watches Smackdown’s head writer get into arguments on Twitter instead of writing a quality show.

We’re Done Here:

We all made it through another week of wrestling! Get out there and watch some Mae Young Classic, enjoy what you want to enjoy in life, listen to Kesha, and have some fun this week. Wrestling is awesome and for everyone!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – WWE embraced cynicism and paid the beach ball price, Braun Strowman is the greatest, and more!

By Will Pruett

In 2015, I sat in the audience for the Raw after WrestleMania in San Jose as a crowd greeted women attempting to have a great tag team match with chants saying they were fellating wrestlers they were dating. It was awkward, uncalled for, and it took attention away from the wrestlers at a key moment. This was at the height of the “#GiveDivasAChance” movement, before any “revolutions” could begin. It was in this moment that I realized fans have gone too far. They haven’t gotten better.

What troubled me the most about this moment was WWE’s inability to shut it down. WWE hadn’t equipped themselves with the ability and authority to have a crowd listen to them. They hadn’t shaped an audience to care about what they wanted or to give the reactions we’d consider standard. In fact, for a couple years at that point, they told these unruly crowds to do whatever they wanted. The Night After WrestleMania became like The Purge. There were no laws. Fans had three hours of Raw to do whatever they wanted. It was great fun, until it wasn’t.

When WWE started embracing these hyperactive crowds, they were simply going with the flow. They embraced the cynical spirit of the fans without second guessing it. They celebrated the fans for “speaking their minds” and let anyone know that “you can do whatever you want if you bought a ticket” without thinking of how this could affect the stories they were telling.

WWE has embraced cynical wrestling fans, because in the moment it was easier than rebelling against them. In the long term, they’ve conditioned fans to rebel against anything that is happening.

It was fine when Sheamus and Randy Orton were having the least exciting match they could imagine in 2013, but what happens when these same tactics get turned on hardcore fan favorite Finn Balor for the second year running? At one point it was simply cheering for the wrestler fans liked more, but now they reject a moment where Samoa Joe and John Cena are face to face for the first time in WWE.

When an audience is being super-served to the point of exhaustion, the audience is going to get restless. What happens next?

The unfortunate beach ball party WWE enable and encouraged on Raw wasn’t just one random crowd having fun. It wasn’t passionate fans showing dissatisfaction with WWE’s presentation. It was the next logical space for a fanbase with increasing options and a decreasing attention span to fill. WWE asked fans to be cynical. They branded cynicism as fun. Now, cynicism is overrunning their core storytelling and they don’t know what to do.

Do you act like John Cena and forget any serious storytelling you may have planned and play along with the wave? Do you have your wrestlers sulk and do less in the ring because the crowd doesn’t care? Do you structure these Raw after WrestleMania, SummerSlam, or Royal Rumble shows to take into account the preferences the fans at them may have? I’d argue WWE did this on Monday night and it didn’t work.

WWE’s first mistake was embracing cynicism and dissatisfaction, pretending they’re alright with it. Now, they have to discourage it, but they don’t know how. At the same time, wrestling shows become less enjoyable to attend for fans looking to have a good time at the show and not be the show. Wrestlers get discouraged because no matter what they do, they can’t please fans. WWE has trapped themselves in a destructive cycle.

I’m not sure how WWE rescues themselves from cynicism, but I know they need to do it soon.

Last week’s essential viewing:

What matches do you need to see from the last week of wrestles? Note: There are spoilers in this section, so read with caution.

Johnny Gargano vs. Andrade Almas (NXT Takeover Brooklyn III, August 19, 2017) – This might have been one of the best opening matches WWE has ever had. The crowd was red hot for Gargano and, even if a little apathetic about Almas, willing to give him a shot. The last five minutes of this match legitimately had people standing. They brought fans to live and set a pace for Takeover that was hard to follow. Gargano vs. Almas was great.

Asuka vs. Ember Moon (NXT Takeover Brooklyn III, August 19, 2017) – The surprise of surprises this weekend was Asuka retaining the NXT Women’s Championship. Ember Moon seemed like the logical challenger to end Asuka’s Streak, but it continues. WWE is telling a really fun story with the dominant Asuka continuing to go undefeated. This match was my favorite of SummerSlam weekend and should be rewatched in the pantheon of great WWE matches.

Brock Lesnar vs. Roman Reigns vs. Braun Strowman vs. Samoa Joe (WWE SummerSlam, August 20, 2017) – Any match where this happens

is a great match.

Braun Strowman destroys Brock Lesnar (WWE Raw, August 21, 2017) – Braun Strowman and Brock Lesnar is a logical place for WWE to go and, hopefully, a really fun one. Braun has been the performer for 2017 in WWE and this is a chance to gain even more momentum. I hope WWE isn’t approaching their encounter with a finish in mind. I’d like to see them at least consider pulling the trigger on Strowman.

What I absolutely positively love in wrestling this week:

Braun Strowman – Is there anything better than Braun Strowman right now? I doubted him. I thought he’d be a nothing Wyatt Family member with weird ass patches on his pants. Instead, Braun is a beast of a wrestling constantly overperforming expectations. Name a singles match where Braun hasn’t delivered. Name a pay-per-view in the last few months Braun didn’t highlight. Braun Strowman is WWE’s biggest booking victory since they split Raw and Smackdown over a year ago. I never expected to love Braun Strowman, but his country strength has won my heart.

If you enjoy getting a little bit of what I love in wresting each week, check out my new YouTube series called “What I Love About Professional Wrestling!” This week’s episode was on wrestler hair.

What I absolutely positively love in the world this week:

The Mother of All Questions by Rebecca Solnit – I think you all may be tired of book recommendations at this point, but here’s another one. Reading is the quickest path to understanding a view you don’t have. It allows you to get into someone’s head in an uninterrupted way. Rebecca Solnit writes brilliantly about the social and societal pressures put on women at this time in history. Her voice is equal parts poetic and frank. Among the subjects she explores brilliantly is an essay on silencing women that opened my eyes to ways of thinking I hadn’t considered. I found her prose engaging and inspiring. If you’re looking for a great voice different than your own to read, look here.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

DeMarcus left this comment:

Stick to Wrestling and leave social and political statements to yourself, we come here for a break from everyday life.”

This is an interesting comment, because it assumes a few things. First, it assumes that wrestling itself is in no way a part of everyday life. I only need to point to the recent episodes of Smackdown where Jinder Mahal praised diversity to convince the crowd to hate him and Randy Orton assaulted every foreign wrestler he could find to prove this wrong. Wrestling deals with many of the problems we face in the real world and wrestling is at its best when it shows a hero overcoming them.

Second, you assume that art is not political. Wrestling, as an art form, will always be political. Any art is political. If you think some work of art is not political, it’s actually making a massive political statement by attempting to be apolitical. Don’t be ridiculous and expect me not to be political here.

Third, you’re acting like saying Nazis are bad is a controversial statement. F*ck that noise. White supremacy is f*cking evil and we should shout that everywhere we can, including in our wrestling blogs.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

We’re Done Here:

Watching SummerSlam this weekend, I was reminded of how fun collectively enjoying an event can be. Wrestling has the magical ability to bring people together like they’re all sitting in the same room, to watch something. Good or bad, collective experiences are really neat. Community to the best thing. Let’s all get out there and be super cool to each other today!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Pruett’s Vlog: What I Love About Professional Wrestling – Episode 2 – The Greatness of Wrestler Hair

By Will Pruett

This week in What I Love About Professional Wrestling, it’s time to talk pro wrestler hair! Long flowing locks of hair have long been a part of the wrestling industry and it’s something I’ve always loved! See an embarrassing picture of 19 year old me and some of my favorite hair in all of wrestling!

Subscribe to my YouTube channel and make sure to tell me what you think!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Pruett’s Blog: Introducing a new video series – What I Love About Professional Wrestling!

By Will Pruett

One of the questions I get most often is why I love, like, enjoy, love, write about, or watch professional wrestling. The most difficult thing about answering this question is narrowing it down to one thing I love about professional wrestling. Well, now I don’t really have to!

Every week I’m going to post a new thing I love about professional wrestling, give some examples, and hopefully entertain some people! This week, I talk about professional wrestling’s universal nature. It transcends language, class, and everything else! Watch, share, comment, and tell me what you think!

Subscribe to my YouTube channel and make sure to tell me what you think!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To see his video series “What I Love About Professional Wrestling” subscribe to his YouTube channel. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – Smackdown’s creative destruction, finishing NJPW’s G1 tournament, fist bumps, Drew Galloway/McIntyre, and more!

By Will Pruett

After the Superstar Shakeup in April, I looked at Smackdown with absolute joy in my soul. Sure, everything had gone wrong with this brand going into WrestleMania, but after the greatness of Shane McMahon vs. AJ Styles, I was ready to trust again (Shane O’Mac matches are a hell of a drug). We saw a roster come together with John Cena, AJ Styles, Charlotte Flair, Becky Lynch, Shinsuke Nakamura, Sami Zayn, and Kevin Owens. Looking at this roster, we could all come up with days worth of enjoyment. Somehow, Smackdown has sucked the joy from their roster and made this cavalcade of great wrestlers less than the sum of its parts.

We’re four months removed from this roster coming together and instead of focusing on, and making a bigger star of, any of the wrestlers I listed above, Smackdown has been the Jinder Mahal show. I won’t fault WWE’s effort to do something new or unexpected, but Mahal hasn’t been a success. Jinder, even in his unhindered form, hasn’t risen to the occasion. His matches have been lackluster. His promos haven’t been more than one-note exercises in encouraging xenophobia. Jinder Mahal as the centerpiece of the show has been disappointing at best.

With a depressing centerpiece, one would usually look to the rest of the roster to make up for it. Afterall, one boring wrestler, even when paired with Nyquil in human form Randy Orton, does not make for a full boring show. What’s been going on with the wrestlers listed above while Mr. Mahal has been making diversity look like a poor heel tactic?

Charlotte Flair and Becky Lynch, two women who could be the centerpieces of the Smackdown Women’s Division, have been locked into match after match with five or six women competing against each other. Since WrestleMania (and really, since before WrestleMania), Smackdown has featured an awkward combination of all of their women working together. It’s suboptimal use of any roster and wouldn’t fly if it were five exceptionally talented men. Charlotte and Becky deserve better storytelling opportunities.

One feud we’d think was can’t miss is AJ Styles vs. Kevin Owens. It’s as simple as grabbing two wrestlers off the list I made above, giving them something to fight over, and watching magic happen, right? This feud has had creative missteps at almost every turn. The best match of the feud was likely at a Madison Square Garden house show that we can’t watch. The rest have had surprise pins, random count-outs, and other less than amazing moments. The endgame might be getting me Shane McMahon vs. Kevin Owens, a match we all know I plan to love, but getting there hasn’t been fun.

What about the rest of those wrestlers? Shinsuke Nakamura has been locked into a feud with Dolph Ziggler, then with Baron Corbin. At no time did he come out of the gates hot like he did in his NXT debut. He wasn’t allowed to show what made him popular, but instead was branded a rock-star and given a new vaguely-racist font for his now somehow poorly timed entrance.

Smackdown took a roster I was excited to see and made their show skippable on a weekly basis. What for? Was the goal to get to SummerSlam to deliver big matches? Smackdown is limping into SummerSlam without featuring Zayn, Flair, or Lynch on the card. Styles and Owens are continuing a program we’re praying the angel from heaven Shane McMahon can reignite. Instead of a dream match of sorts between Cena and Nakamura, we have the incapable of a big match performance Jinder Mahal against Nakamura and Cena taking on Corbin. What’s going on?

The Smackdown roster is great, but the actual stories on Smackdown have made a great roster far less than the sum of its parts. What was a must-watch show about a year ago has become almost pointless viewing. Hopefully WWE can find a way out of the mess they’ve made of Smackdown before we have to endure anymore of its mediocrity.

Last week’s essential viewing:

What matches do you need to see from the last week of wrestles? Note: There are spoilers in this section, so read with caution.

From NJPW’s G1 Climax 27 Tournament:

Kazuchika Okada vs. Minoru Suzuki (NJPW G1 Climax 27 Night 16, August 8, 2017) – I’m not always the biggest fan of Minoru Suzuki matches and I am mostly ignorant of the mystique surrounding him. I know that I miss somethings when I approach a Suzuki match. I totally got what was happening in this match though. Suzuki and Okada had an insane battle with some of the most strikes of the tournament thus far. The 30 minute draw perfectly played into the story of Okada breaking down as the tournament bore on. This was delightful.

Zack Sabre Jr. vs. Tomohiro Ishii (NJPW G1 Climax 27 Night 17, August 11, 2017) – Conflicting styles lead to another great battle between Ishii and ZSJ. This had a lot in common with their match in the IWGP United States Championship tournament and both are totes worth watching. ZSJ getting his win back and he is propelled into contention for the IWGP Intercontinental Championship was logical and delightful. It was a great way to cap off a great G1 from ZSJ.

Hiroshi Tanahashi vs. Tetsuya Naito (NJPW G1 Climax 27 Night 17, August 11, 2017) – Matches between any combination of the top four in NJPW are rare. Anytime we have the opportunity to see one, it is special. This contest between Naito and Tanahashi was special. Once again, Tanahashi was more of the antagonist in this, as the crowd more vocally supported Naito. This played off of their matches from earlier this year well and the climax of the match was exceptional.

Kazuchika Okada vs. Kenny Omega (NJPW G1 Climax 27 Night 18, August 12, 2017) – Okada and Omega did it again. This match, with just a 30 minute time limit, started off at an insane pace. The aggression from both men was something different from the tentative way they approached their 60 minute time limit draw and 45 minute Tokyo Dome main event. Friends, this is the new best trilogy of matches in all of wrestling. This is the new gold standard. The way Omega and Okada worked in spots from their prior matches, told the story of the tournament breaking Okada’s body down, and delivered something so cathartic and beautiful in the end was stunning. Watch this match. Watch all of Okada vs. Omega.

Tetsuya Naito vs. Kenny Omega (NJPW G1 Climax 27 Finals, August 13, 2017) – This was delightful. These two stole the show in last year’s G1 Climax tournament and haven’t had a match together since then. It was worth the wait. The crowd was on fire as this match began. Omega and Naito delivered maximum effort and were so effective. This match, in some ways, felt like pure energy. It capped off a great tournament with a great ending. It was beautiful.

From WWE:

Seth Rollins and Dean Ambrose’s reunion fist bump (WWE Raw, August 14, 2017) – Rarely does a fist bump have this great of a build up or elicit this grand of a fan response. Rollins and Ambrose’s story has been the highlight of Raw as we have built up to SummerSlam. What seemed really obvious in week one has slowly morphed into something far better. The buildup of tension on each side and the near-bump experiences we’ve seen have been excellent. WWE told a real story here and it’s been delightful.

Baron Corbin completely fails (WWE Smackdown, August 15, 2017) – Normally, I only list good things here, but Corbin failing to win his Money in the Bank cash in because of a roll up is too funny to miss. It’s honestly absurd and a poor use of everyone’s time/emotional investment. It’s an example of Smackdown’s counter-productive creative strategy at its worst. Hey, at least the ongoing theme of Corbin’s inability to survive a surprise roll up continues.

What I absolutely positively love in wrestling this week:

Galloway – End of the Independents – This is a fun glimpse into the world of indie wrestling from a wrestler leaving it behind. Galloway/McIntyre is honest and forthright when confronted with documentarian David Lagana’s camera. It’s interesting and insightful. Ultimately, as we see Drew return, it’s inspiring. It’s worth 20 minutes to watch. It also should be a kind of blueprint for the future of indie wrestling storytelling. Companies like FloSlam should be having docs like this made for contracted talent. We should see more of the humans behind the curtain, especially in indie wrestling.

Omega and Ibushi backstage – Be still my beating heart. Kota Ibushi and Kenny Omega have hinted around each other since they were both announced for the G1. Perhaps the greatest romance in all of wrestling has been teased in NJPW. This brief encounter was a great payoff to them almost meeting in the tournament and a great tease for what is to come. Tokyo Dome, anyone?

What I absolutely positively love in the world this week:

Game of Thrones – I know it’s a pretty basic choice, but such is life. The show is rapidly approaching its conclusion, with just eight episodes left until it concludes. The story has often felt too big and overstuffed, but as the time ticks away, Game of Thrones is becoming more and more about the characters and what truly motivates them. It’s interesting to see such a soaring story get so deeply personal. I’m about this and depressed that we’re only two episodes away from the season ending.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

No mail this week, and the horrid news of the week has me feeling less than excited to confront idiots, anyways. Let’s just watch this gif of a kitten cuddling a stuffed animal.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

Perhaps one of the greatest moments in SummerSlam history…

This week’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

Why WWE Should Stop Deferring To Terrible People by Tim Kail

When should the WWE push Sami Zayn? by April Lavalle

We’re Done Here:

What a week, huh? In real life we’re all trying to deal with how elected officials have dealt with a violent Neo-Nazi march. In non-real life we have SummerSlam this weekend. One is far more important than the other. Get out there friends and be better than our elected officials. Condemn Neo-Nazis with every fiber of your being. Tell the KKK to f*ck off at any opportunity. If you get the chance, tear down a confederate monument as well! We, as humans, are better than that shit.

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

8/13 NJPW G1 Climax 27 Finals Results: Tournament final for the IWGP Heavyweight Title Shot at the Tokyo Dome, Young Bucks vs. Ricochet and Taguchi, and more

By Will Pruett

New Japan Pro Wrestling
G1 Climax 27 Finals
Sumo Hall in Tokyo, Japan

Broadcast live on August 13, 2017 on (Japanese and English commentary available)

  1. Yoshinobu Kanemaru, Taichi, El Desperado, and TAKA Michinoku defeated Kushida, Jushin “Thunder” Liger, Tiger Mask, and Hirai Kawato.
  2. Guerillas of Destiny defeated Yuji Nagata and Manabu Nakanishi.
  3. Hiroki Goto and Yoshi-Hashi defeated David Finlay and Togi Makabe.
  4. Hiroyoshi Tenzan, Satoshi Kojima, and Juice Robinson defeated Bad Luck Fale, Yujiro Takahashi, and Chase Owens.
  5. Ryuske Taguchi and Ricochet defeated The Young Bucks (Nick and Matt Jackson) to win the IWGP Junior Heavyweight Tag Team Championship.
  6. War Machine defeated Cody and Hangman Page to retain the IWGP Heavyweight Tag Team Championship.
  7. Minoru Suzuki, Zack Sabre Jr., and Takashi Iizuka defeated Hiroshi Tanahashi, Kota Ibushi, and Michael Elgin.
  8. Evil, Sanada, Bushi, and Hiromu Takahashi defeated Kazuchika Okada, Gedo, Tomohiro Ishii, and Toru Yano.
  9. Tetsuya Naito (A Block Winner) defeated Kenny Omege (B Block Winner) to win the G1 Climax 27 tournament.

Katsuyori Shibata made an emotional appearance during intermission, stepping into the ring for the first time since suffering a head injury to say he is alive.

Pruett’s Thoughts: Naito vs. Omega was a match for the ages and a great way to cap off an all-around amazing G1 tournament. The match itself was a work of art and a red hot crowd for both men made it even better. This was some state-of-the-art wrestling goodness and well worth going out of your way to see.

If you’re limited time-wise, you can definitely skip to the main event. If you have time to watch the whole show, it’s worth seeing, especially with the hints of what is next for Okada (a match with Evil) and Tanahashi (a match with Zack Sabre Jr), a very good Young Bucks vs. Ricochet and Taguchi match, and the return of Shibata.

Will’s New Thing – Embracing non-completionist wrestling viewing, more NJPW G1 Climax 27 match recommendations, a fun bit of reader mail, and more!

By Will Pruett

I am frequently overwhelmed with the amount of wrestling I can watch today. Living in the future is pretty cool, but when it loads up my dance card with wrestling from three continents and something like ten companies without me having to do much more than type, I feel like I’m underwater. This has been one of the bigger challenges for me as I transition into the glorious streaming future: How do I enjoy professional wrestling without overdosing?

The answer has been really simple: give up my belief in completionism. For a long time, I’ve needed to see every entrance, every video package, and every second of every match in order to watch/review/enjoy a wrestling show. In order to not quit all of my jobs and become a Wall-E-esque blob of a human (see photo), I had to do something.

Most of us have watched wrestling long enough to know when something is important. We know there is a difference between a random six man tag team match on Raw and the WWE Championship match in a pay-per-view main event. We know there is a difference between another cryptic Bray Wyatt promo and anything exciting happening. Generally, we can tell if something cool is going to happen or not. I follow these instincts.

It started with 90 minute Raw on Hulu, the greatest invention in wrestling history (especially if you pay those extra $4 for ad free Hulu). Then came fast-forwarding through that even. I just don’t need a video package of a show I watched a week ago. WWE isn’t pointing out important storyline points from years before like Game of Thrones, they’re just setting last week’s events to ominous music. They aren’t telling new stories, they’re catching up people who never watch.

You see, WWE television is not made for completionists. It’s made for the person watching one or two episodes per month, and only casually paying attention. How else could someone explain the frequent replays of everything worth remembering? What about the commentator’s obsessive desire to review every story point for each wrestling while they are wrestling? Completionists might think they need to see everything in WWE, but WWE itself is screaming their disagreement with this.

Moreover, giving up on completionism has allowed me to see and enjoy wrestling I haven’t had time for in the past. I’ve avoided NJPW’s G1 shows over the past few years because it was too hard to see every match of the tournament. Well, this year I decided to catch highlights from just about every show and it’s been amazing. I’ve seen most of the great matches. I understand the stories happening. I am quite invested in the end of the tournament, even though I purposefully avoided watching a single Yoshi-Hashi match.

I know liberally fast-forward, picking and choosing, or relying on reviews (shout out to Voices of Wrestling for their great G1 coverage, which allowed me to easily pick what I needed to see) feels weird at first, but it’s the best feeling ever.

I’m not watching every match of every show. Heck, sometimes I may not see every match of a WWE pay-per-view. I haven’t watched a WWE pre-show since WrestleMania. They just aren’t important. There is a ton of great wrestling out there to invest in and you can see even more if you skip what doesn’t connect with you!

Last week’s essential viewing:

What matches do you need to see from the last week of wrestles? Note: There are spoilers in the write-ups on each match.

From NJPW’s G1 Climax 27 Tournament:

Zack Sabre Jr vs. Tetsuya Naito (NJPW G1 Climax 27 Night 13, August 4, 2017) – ZSJ is a technical wizard and seeing him match up against a variety of styles and opponents has made the G1 pretty fun. This was Naito getting the best of Sabre Jr and finding his way to the top of the A Block. Naito was awesome here as well.

Kenny Omega vs. Juice Robinson (NJPW G1 Climax 27 Night 14, August 5, 2017) – It’s hard to pull off a good surprise in a tournament. It’s even harder to pull off two in one night. Robinson beating Omega was an absolute shock. Robinson is performing far above what I thought he was capable of in this G1 and it’s really exciting. Omega is his consistently awesome self. This match is a really fun journey with a super high point at the end.

Evil vs. Kazuchika Okada (NJPW G1 Climax 27 Night 14, August 5, 2017) – And the upsets rolled on with this match surprising the cuss word out of me. Evil has had an awesome tournament. He’s not the MVP, but he has proven to be better than a sidekick role. Okada losing here was a total shock. I half expected him to go to the finals without a loss (or at least to the Omega match). This win should mean big things for Evil in the coming months.

Hiroshi Tanahashi vs. Tomohiro Ishii (NJPW G1 Climax Night 15, August 6, 2017) – This match told a remarkable story of the immovable Ishii taking every shot Tanahashi had to offer and fighting to stay in the G1. If Tanahashi won, it set the A Block finals and took Ishii out of the running. It was two experts putting together a match where both men had exceptionally high stakes and Tanahashi finally made his way to victory.

From WWE:

Roman Reigns vs. Braun Strowman in a Last Man Standing Match (WWE Raw, August 7, 2017) – As always, Braun and Roman are great wrestlers who produce magic together. You’re not going to get a technical classic, you’re going to see two unmovable men clash. It’s awesome and I will never turn down an opportunity to see it.

Hideo Itami vs. Kassius Ohno (WWE NXT Live in Los Angeles, August 9, 2017) – The best match on a loaded NXT live show from The Novo in Los Angeles. Watching wrestling in a unique venue with passionate fans is always cool. Seeing a great match at the same time is even cooler. I know people can’t watch this particular match, but wanted to shout it out anyways.

What I absolutely positively love in wrestling this week:

Wrestling Outside of Arenas – Wrestling from anywhere that is not a traditional United States basketball or hockey arena is the greatest thing this week. We rarely see a diversity of venue on a WWE show outside of WrestleMania and it’s a bummer. Buildings are made to have their own personality. I love when a wrestling show lets that personality shine. Light the theater, church, community center, concert venue, or whatever other place you’re in and let it shine! Wrestling that isn’t in major arenas is the best.

What I absolutely positively love in the world this week:

All The Light We Cannot See by Anthony Doerr – I’m not big on World War II stories and novels. While I understand the heroics of the time, I also think it’s a genre just slightly overdone. I was reluctant to read Anthony Doerr’s Pulitzer Prize winning novel because of this. I was wrong to be reluctant. Doerr wrote the touching story of a young blind French girl and a young German boy’s path to a fateful meeting expertly. I had trouble putting this book down to sleep. It’s totally worth the time to read and absorb this touching tale.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Quoting random musical lyrics is my jam. This is as good of an excuse as any to post a video of Brian Stokes Mitchell singing Wheels of a Dream. This man is too brilliant and too nice. It’s almost obnoxious.

Brittany commented:

It’s cool seeing that you’ve become a Kenny Omega fan in what seems like a short amount of time. I’ve been a fan of Kenny’s ever since I saw a replay of one of his matched on the AXS run of NJPW a few years ago. From his entrance to his in-ring work, I was just captivated by Kenny and what he brought to the match. Not only is a great talent in-ring, he’s also quite the talent outside of the ring, from his interviews to downtime stuff that he does (YouTube stuff that he does with the Young Bucks coming to mind). All around, Kenny is quite the talented guy, and here’s to hoping that if/when he meets Kazuchika Okada in the ring again, Kenny finally wins it (and provides another stellar match at the same time).

Oh man, this weekend is going to be fun. I cannot wait to see Omega vs. Okada III on Saturday morning. Color me whatever color hyped is supposed to be colored. Anyone know what brand of tanner Mojo Rawley uses? Color me that.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

This week’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

#PWGrrrlGang – This isn’t by a single person, but is an important alliance of people trying to make wrestling a welcoming and inviting thing for everyone! Inclusivity is my jam.

We’re Done Here:

We are just a couple days away from the G1 being over and just over a week away from the biggest slam jam bam bam party jam of the summer: SummerSlam. Wrestling is fun! Life is fun! I am happy and everyone should be! Celebrate!!!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – Falling in Love with Kenny Omega, far too many must-watch matches, and two Shane McMahon gifs!

By Will Pruett

Falling in Love with Kenny Omega

“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.” ― Maya Angelou

I’m late to the party on this one. I am acutely aware that wrestling fandom passed me by at some point and I’ve been left to catch up. I have been reluctant to do so, wondering if something so popular can actually be good, wondering if a wrestler as beloved by so many really deserves it. I don’t know how to express how wrong I was to doubt, but I was very wrong. Friends, I am here today to declare my love for Kenny Omega, as an artist, a pro wrestler, and a human being.

Let’s get the really easy part out of the way first. Kenny Omega is an amazingly talented and skilled professional wrestler. He does things in the ring many have only imagined. His ability might be unparalleled in wrestling today. Omega can have brilliant comedy matches (see his match with Toru Yano from this year’s G1), spotfest tags (see any match he’s had teaming up with The Young Bucks), and epic championship encounters that leave the viewer breathless (see the NJPW US Championship tournament or either of his matches with Kazuchika Okada). Kenny Omega is freaking great.

I read last year all about how great Omega was, but never jumped on board. It’s not that I didn’t want to watch him, I just didn’t find the time in the deluge of wrestling we all live with pouring over our heads.

What called out to me during NJPW’s G1 Special in the US weekend and has stayed in my mind for the past month is Kenny Omega as an artist.I can’t stop thinking about something Kenny Omega said while talking with the press (including me) in the upstairs office area of a Japanese supermarket: “I try to tell stories that humans can relate to, because I’m just a human being, just a guy, and it helps being just a guy… I wrestle with emotion. I’m not a technical mastermind. Because of the stories that I tell using my heart, and the stories that I’ve cooked up in this crazy brain of mine, they become memorable. And I think they become stories that people have interest in… We’re trying to tell stories that are just as easy to understand as an episode of Seinfeld or The Simpsons…”

Omega doesn’t just try to do this, he succeeds. He wrestles with his heart on his sleeve and it shows, especially in his major matches. While I tend to watch NJPW with commentary I have no hope of understanding, I feel the emotion of Omega’s efforts and the resonate. Whether it is his pure exhaustion as he tries to summon the strength to knee Okada in the head or the pure joy he has shown in major winning moments, Omega brings heart to wrestling I rarely see.

This, in so many ways, describes what I love in wrestling. I can appreciate a technically awesome match, but I’d much rather be taken on an emotional journey. My favorite matches and moments in wrestling have done just this.

Omega also brings something unique to wrestling as far as representation goes. He’s openly bisexual and willing to discuss being so in interviews. Since wrestling is the closest thing we have to real life superhero stories, I have to celebrate a real life superhero breaking the norm in this way. I always say representation matters and having one of the best wrestlers in the world represent a slice of the LGBT community is tremendously cool.

Kenny Omega has gone from a wrestler I openly acknowledge the greatness of, yet didn’t connect to, to a wrestler I’ll openly cheer for. He’s invested emotion in his matches and I feel more able to do so because of it. Kenny Omega is a wrestler I’ll take joy in seeing win and I’ll feel the heartache of loss with. I can say I’ve fallen in love with Kenny Omega, but I’ve also fallen more in love with professional wrestling because of Kenny Omega.

Last month’s essential viewing:

So, it’s been a while I have lots of things you should watch or should have watched. Let’s

I seriously haven’t watched any WWE shows this week. It’s been hectic. Let’s talk NJPW. Warning: Some of these matches listed are spoilers of sorts, but the art is worth it friends.

From NJPW’s G1 Special in the US weekend:

Kenny Omega vs. Michael Elgin (July 1, 2017 – NJPW G1 Special in the USA Night 1) – This looked like it would be a standout match from Night 1 of this tournament from the time it was announced, and it delivered. Omega claimed this would be his tournament and he wasn’t wrong. He was greeted as a hero as he marches into Long Beach. Elgin gave Omega a great challenge and they produced something really great. The booking of this tournament was also interesting with it reinforcing the story of Elgin being in a slump. I’m a big fan of the storytelling all around.

Tomohiro Ishii vs. Tetsuya Naito (July 1, 2017 – NJPW G1 Special in the USA Night 1) – This was the closest thing to classic New Japan on Night 1 and it was really enjoyable. Ishii was the MVP of the NJPW US Championship tournament with three absolutely epic performances. Watch all of them.

Zack Sabre Jr vs. Tomohiro Ishii (July 2, 2017 – NJPW G1 Special in the USA Night 2) – The style clash this match presented on paper had me so excited, I didn’t run around to take a single photo of this match. I sat in my seat and watched the entire thing start to finish and thoroughly enjoyed it. Ishii and Sabre Jr. brought us something we rarely see in the United States. They had me enthralled until the very end.

Kenny Omega vs. Tomohiro Ishii (July 2, 2017 – NJPW G1 Special in the USA Night 2) – This was stunning. Ishii and Omega took the audience on an emotional journey. One notable thing about NJPW: there wasn’t really a traditional heel in this match, but more than once, Ishii played the antagonist. He isn’t bad and he didn’t resort to underhanded tactics (in fact, Omega, the match’s protagonist cheated more often), but Ishii was definitely standing in the way of Omega achieving his dream. When people say the heel/face dynamic in wrestling is dead, they are ignoring the far richer storytelling dynamics we can be given. This match was an example of a better way to present professional wrestling.

From NJPW’s G1 Climax 27 Tournament:

Kota Ibushi vs. Tetsuya Naito (NJPW G1 Climax 27 Night 1) – It just feels right to have Kota Ibushi back in NJPW and this was a fun display of what he can do. When Ibushi left, Naito was a level below being a top star. Ibushi had just broken out, but was put on the shelf with an injury. This was a great clash between two fun wrestlers. Ibushi was the highlight performer here for me, but both men stood out.

Hiroshi Tanahashi vs. Zack Sabre Jr. (NJPW G1 Climax 27 Night 1) – How do you make a star in one night? have them force the (absurdly beautiful) “Ace” of the promotion to submit in their first meeting together. This is how Zack Sabre Jr. became a made man in NJPW. Hiroshi Tanahashi went into this year’s G1 with an arm injury and his story played into this perfectly. Tanahashi vs. Sabre Jr. should be remembered for a long time.

Kota Ibushi vs. Zack Sabre Jr. (NJPW G1 Climax 27 Night 3) – The WWE Cruiserweight Classic final we all dreamt of for months finally happened, just not in WWE. Everything Ibushi is touching in this tournament is wonderful. Sabre Jr. is more than holding his own against challenging competition. Wrestling is the best and this match helps prove this point.

Kuzuchika Okada vs. Michael Elgin (NJPW G1 Climax 27 Night 4) – Michael Elgin is an odd dude. Beyond his attempts at playing baseball and overall odd public persona, he’s a really good professional wrestler. Of course, no wrestler in NJPW has been good enough to beat Kazuchika Okada in a long time. Okada continued doing that thing where he’s the best in the world and Elgin lived up to being a worthy foe.

Kota Ibushi vs. Tomohiro Ishii (NJPW G1 Climax 27 Night 5) – This was one of the most intriguing matches the G1 had to offer when the blocks were announced this year and it delivered. Ishii never fails to deliver in big matches (see my writing about the IWGP United States Championship tournament) and Ibushi is definitely a standout star in NJPW again. These men brought one of the more interesting stylistic mashups to this tournament. Could Ibushi hit hard enough? Would Ishii be fast enough? This is a must-watch from a tournament of great matches all around.

Michael Elgin vs. Kenny Omega (NJPW G1 Climax 27 Night 8) – Originally I left this match off of my list, fearing the awkwardness of two Elgin vs. Omega matches appearing. When I thought about the tournament though, I was really into what these two did and the way their two matches played off of each other. I had to praise Omega vs. Elgin from this show. They pulled everything they could out of their collective bag of tricks to have a great match. Add a very surprising finish and you have one of the classics of this tournament.

Kota Ibushi vs. Hiroshi Tanahashi (NJPW G1 Climax 27 Night 11) – Look at the participants in this match and try to figure out how it could be anything but great. What makes this notable is the great heel work from Hiroshi Tanahashi, the stalwart babyface of New Japan. The crowd is more in Kota Ibushi here and Tanahashi plays into it. This might have been the best match yet in the G1.

From WWE:

Roman Reigns vs. Braun Strowman in an Ambulance Match (WWE Great Balls of Fire 2017) – Ambulance Matches are dumb. Roman Reigns and Braun Strowman are great. Combine dumb and great and, in this case, you still get great! Sure, Reigns is likely wanted for attempted murder for his post match actions. And yeah, Strowman still isn’t finished with anyone. This was a delightful match from two men who can do no wrong together.

John Cena vs. Shinsuke Nakamura (WWE Smackdown, August 1, 2017) – Two ships passing. Two men meeting at the moment of a journey… Nakamura and Cena was a dream match for so many of us and we got it (complete with a conclusive end) on Smackdown. Color me delighted and surprised. This was as close as we’ve seen to peak Nakamura on the WWE main roster. It was gritty. It was dynamic. It was what I would hope a match between the superpowers of wrestling can be. More than anything, I was left wanting more. Please don’t let this be the only Nakamura vs. Cena match, wrestling deities hear my prayer.

What I absolutely positively love in wrestling this month:

I got to photograph the NJPW G1 Special in the US shows as a member of the press and it was awesome. Here are a few of my favorites:

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Here’s the full album for you to check out.

What I absolutely positively love in the world this month:

Last Week Tonight on the Sinclair Broadcast Group – I often wonder why all major wrestling companies seem to be run by less than great humans. This piece from John Oliver on the Sinclair Broadcast Group made me ponder this question all over again. It has nothing to do with wrestling and wrestling isn’t mentioned, but this should frighten all of us. Comedic commentary on the garbage fire that we’re living through will always have a soft spot in my heart.

Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman by Anne Helen Peterson – If you’re looking for a great Summer read mixing the real things in life with pop culture, look no further than Anne Helen Peterson’s great examination of “unruly” women. Peterson’s writing always expertly blends our collective culture together and this is no exception. It’s a great analysis of 10 women who are bravely breaking the molds they’re placed in and how they’re doing so.

Heisenberg at the Mark Taper Forum – It’s rare to see a piece of theatre completely stripped of all spectacle and containing just two actors and to be completely engrossed all the same. The performances of Mary-Louise Parker and Denis Arndt in the production of Simon Stephens’ Heisenberg at Mark Taper Forum create this. While initially jarring, it rounds into form in a delightful way and the relationship between the two characters is defined and redefined beautifully. This is a wonderful work of theatre you should totes see if you’re in the Los Angeles area.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Since it has been a while, I’ll just leave this blank and start anew next week. Let’s have some interesting discourse here!

SSMGOTM (Superfluous Shane McMahon Gif of the Month):

It’s a two for one situation this time!

This month’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

I want to point you to this list of great wrestling content creators. I had nothing to do with the creation of it, but I know I’ll be using it to broaden my wrestling reading!

Progressive Heels, Regressive Faces: WWE’s In-Story Politics Are a Mess by Scarlett Harris

GLOW Understands Women’s Wrestling Better Than WWE by Scarlett Harris

We’re Done Here:

I’m back and probably about the same as I ever was (imagine if those were the lyrics to Eric Bischoff’s WWE theme). It’s been an insane last month and I want to thank everyone who missed reading my pieces on the site or trolling me pointlessly. You’re the real heroes here (Side note: you’re not heroes).

As always, thanks to everyone who reads this, interacts with me, and makes this weird wrestling gig worth doing. Have the best week and draw some inspiration from Leslie Knope letting you know…

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – The magical life giving power of live professional wrestling, reader mail, a Shane McMahon gif, and more

By Will Pruett

I went to my first wrestling show when I was 12 years old. It was an episode of Monday Night Raw in Anaheim in 1999. Upon re-watching it recently, I realized it was a garbage television show. It opened with the Administrator of the Small Business Administration of the United States (still baffled by this, y’all) and charisma vacuum Linda McMahon speaking. It ended with beer flying into a steel cage for Steve Austin to drink. Even though the show wasn’t great, I was still in awe that day. I was seeing wrestling live with my eyes in front of me. It was magical then and it is still magical now.

This past Monday, I went to WWE Raw at Staples Center. While shows were absolutely mystifying and captivating at 12, people watching during wrestling shows has become far more interesting to me. I love attending live shows, since I’m not about to invite the entire array of humanity that attend a WWE show to my house on a Monday night. It’s a great opportunity to see how people react to and enjoy wrestling.

The people watching was insanely fun on Monday night as I saw fans all collectively raise their cameras to record Roman Reigns’ entrance, even if they were booing him. This was evidence of his star power to me, even if his character isn’t my favorite. It’s easy to see why Roman is still being pushed. I also got to see two ten year old boys in front of me hang on every near fall and near countout of the Sasha Banks vs. Nia Jax portion of the main event. It’s easy to say this wouldn’t have happened five years ago and is a sign of WWE working in the right direction.

Raw was just the beginning of my live wrestling adventures this week, since I’ll be at both of the New Japan Pro Wrestling shows in Long Beach. I’m looking forward to being able to compare and contrast the environment of these shows between standard WWE and what NJPW brings to a market. I feel like more of us will be like the ten year old kids hanging on every near fall than we’d like to admit.

In the past, I’ve often been critical of fans at live shows, often for how they choose to enjoy wrestling. I’ve mocked folks for carrying replica titles, wearing bad t-shirts, or any number of things I wouldn’t do. I was so completely wrong when I did this. Everyone should enjoy professional wrestling the way they want to. I prefer to sit quietly in my chair and give polite applause. You should be able to yell, scream, raise a belt, and do anything else that doesn’t disrupt those around you.

Wrestling is for everyone. Wrestling is a beautiful form of live theatre where we’re all encouraged to interact to our fullest potential. Wrestling is a wonderful and entertaining medium we all get to a part of.

Love what you love the way you love it. Don’t let anyone stop you. Wrestling is the coolest.

This week’s essential viewing:

For the purposes of this column, this week will be presented as Thursday-Wednesday.

It was a rough week for watching non-WWE wrestling, since I spent my weekend in the woods.

Aleister Black vs. Kassius Ohno (WWE NXT – June 21, 2017) – While these two are capable of much more and the start of this match was a little slow, the end showed two great competitors kicking it into a high gear. Both Ohno and Black have been standout performers for a long time and this was just a glimpse of what they’re capable of on a large stage.

Bayley vs. Nia Jax vs. Mickie James vs. Dana Brooke vs. Emma vs. Sasha Banks in a Gauntlet Match (WWE Raw – June 26, 2017) – This will be memorable for some great moments and a true effort to establish Nia Jax. Dana getting immediately killed by Nia was fantastic. Nia’s 25+ minute performance was a career highlight for her. As a bonus, we saw Sasha Banks roll onto the Raw Women’s scene again. Maybe coming out of this match, we can see some great storytelling with Raw’s full women’s division again.

Carmella vs. Natalya vs. Becky Lynch vs. Charlotte Flair vs. Tamina in a Money in the Bank Ladder Match (WWE Smackdown – June 27, 2017) – NOW THAT’S MORE LIKE IT! This was a great Ladder Match and featured some great standout performances. Natalya killed it. Becky killed it. Charlotte killed it. Beyond everyone else, Carmella absolutely killed it and is my MVP of WWE for the month of June. She is running with the ball and doing great work. I’m so happy to see her continue this run. While I’ll stand by my assertion from the last couple weeks that this should have happened at Money in the Bank and sans controversy, this was a very good match.

Asuka vs. Nikki Cross in a Last Woman Standing Match (WWE NXT – June 28, 2017) – I know this segment officially goes longer than a week now. I don’t care. This was a great main event contest to cap off a week of great main events. Asuka’s title reign is insanely impressive when you step back and look at it. I feel like I haven’t always given it the attention it deserves. Cross could be a breakout star when NXT moves on from Asuka’s dominance. This was awesome.

What I absolutely positively love in wrestling this week:

Carmella – I’m doubling down on Carmella as the MVP of wrestling this week. She continues to up her game, was the highlight of yet another Smackdown opening segment, and was the deserving victor in a very good Money in the Bank Ladder Match. Carmella is a major bright spot in WWE today. She’s expanding into a major role and I’m insanely excited to see where she’s at six months from now.

What I absolutely positively love in the world this week:

The Big Sick – Kumail Nanjiani is great in just about anything he’s in (Silicon Valley is evidence of this), but seeing him in this film acting out his own story, was brilliant. Zoe Kazan was brilliantly cast opposite Nanjiani. Everything about this movie was terrific. I’ve always loved romantic comedies (actual life anecdote: I’ve ended up in yelling arguments with friends over why You’ve Got Mail is better than Sleepless in Seattle) and this is a special one. Friends, you NEED to go see The Big Sick when it comes out near you.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Reader Shauny79 writes in:

Maybe we are at a stage now where WWE is a generally modern and open-minded institution that is still run by a sexist dinosaur at the very top. I agree with the poster who said “this has Vince’s fingerprints all over it.” I felt more or less the same as Will about this issue, but to be honest I would imagine most of the WWE staff, writers and wrestlers did too.

This is likely very true. I always try to separate my criticism for WWE’s writers from the stories they tell. I believe you could go into WWE’s writers’ room and find almost all of them understand professional wrestling and could be effective with a singular vision (even when those visions differ). What WWE has is one man who comes and sloppily re-writes or changes the hard work of others to fit his outdated vision of life. Vince is what’s wrong with WWE’s storytelling.

Nick writes:

Where my point of view appears to diverge from yours is that I don’t believe it was a deliberate attempt on the part of WWE to demean its female talents or make their contributions to the show less important. If that were the case, why the immediate booking of the upcoming rematch for next Tuesday’s Smackdown Live broadcast? On a not-immediate but semi-related note, why have the Mae Young Classic also?

Having the Mae Young Classic doesn’t excuse WWE from accusations of sexism. Hell, they created the problem with lack of representation to begin with. I’m not against praising them when they do well (as I have and continue to do in this space), but I’m not going to excuse a horrid idea that would have never been done in a match with male main eventers because of a women’s tournament. WWE can be sexist AND have a wonderfully progressive women’s tournament. These are not binary options. I’m willing to say all of this is true.

John wrote in:

To me, since the WWE has moved to the network model, where the equivalent of the monthly PPV purchase has already been made prior to the marketing of the next event, Sunday night specials on network no longer makes sense structurally for WWE.

This is an interesting point and one I want to dive into further in the future. I actually disagree with one major thing (but will not say you’re wrong). I don’t believe WWE Network makes weekly TV shows more important. I believe WWE Network allows one to follow WWE without weekly television. With a Network Special (or two) more than every two weeks, WWE gives fans an easy way to keep up without being overwhelmed by trying to catch five hours of television per week. WWE Network makes those Sunday specials more important to me, not less.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

This week’s wrestling reading:

I want to highlight some of the best wrestling reading I’ve found over the past week.

James Ellsworth Proves WWE Has a Way to Go with Women and LGBT Representation by Colette Arrand

RAW vs SDLive Airtime Percentages, Week of June 26-27 2017 by Kate Foray

We’re Done Here:

There is too much to do in my life and too much wrestling to prepare for. Let’s get out of here and meet at the same time next week where I’ll be exhausted from one of the craziest weeks of my year!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – So many feelings about Women’s Money in the Bank and how WWE followed up on it, tons of reader mail, recommended reading, and more

By Will Pruett

There are a ton of feelings to parse through after quite a long few days in professional wrestling. We’re going to stay on-brand for me and keep talking about the Women’s Money in the Bank match and Smackdown’s dealing with the fallout from it. To do so, I need to divide my thoughts into categories.

The Good:

  • Carmella absolutely killed it in Smackdown’s opening segment. She rose to a level in that promo I never expected her to reach. It was stunning. Smackdown’s writing team brought Alexa Bliss to surprising prominence and helped her find her voice. Carmella seemed to get a similar boost here. Kudos to her on an amazing performance.
  • Becky Lynch also had a standout performance on Tuesday night in her earnest backstage segment with Daniel Bryan. I’m all about Becky having any opportunity to show the sincerity she brings like no one else on the roster.
  • In the rematch, we should see a great spot where James Ellsworth gets killed by Becky Lynch.

The Bad:

  • The ending from Sunday still leaves a bad taste in my mouth. I can’t shake the idea that it has never happened and likely will never happen in a men’s ladder match. It honestly ruined the show and the week in wrestling for me. There is no getting a first time ever back and WWE blew it for no real reason.
  • Carmella giving up the briefcase feels like it may have been her peak. While it was great to see her rise in this way, I worry that she won’t have a chance to do so again. Getting heat on Carmella in this situation and keeping it on her is complicated. Part of me, after watching Tuesday, wanted her to keep the briefcase because she did so well.
  • Sunday’s ending still permanently breaks the concept of the ladder match in WWE. Why wouldn’t 20 people run in and try to interfere? Why wouldn’t everyone run up the ladder at WWE TLC and steal the WWE Championship? It does long lasting damage to WWE’s storytelling.
  • This, and everything in WWE’s Diva’s Women’s Revolution Evolution feels more like corporate branding than it does an actual effort to generate equality. It’s hard to get past it simply being marketplace feminism and more for marketing than anything else. Andi Zeisler writes about this phenomenon in the broader culture in the essential We Were Feminists Once:

Within a very short span of time, feminism has come to occupy perhaps its most complex role ever in American, if not global, culture. It’s a place where most of the problems that have necessitate feminist movements to begin with are still very much in place, but at the same time there’s a mainstream, celebrity, consumer embrace of feminism that positions it as a cool, fun, accessible identity that anyone can adopt.

(There is so much more in this entire book about feminism as marketing as opposed to feminism as a belief and I cannot recommend reading it enough, especially if you desire to understand exactly the tightrope WWE is attempting to walk.)

The Confusing and Complicated:

  • There is no good way out of this situation. Carmella rose to an amazing level on Tuesday night and I believe she deserves a run with the briefcase, if not a run with the Smackdown Women’s Championship in the near future. With this said, allowing the decision to stick would be awkward as well. The only real way out of this situation is not to get into it, which WWE should have assured. I worry that handing back the briefcase doomed her character for the foreseeable future.
  • The rematch happening in the main event of an episode of Smackdown will have more viewers, which is great. It will also not have the prestige of happening on a WWE Network special, something WWE would never do with other marquee matches (like a WrestleMania main event). Does the increase in viewers necessitate the longterm damage to essential storytelling mechanisms?

These are most of my feelings coming out of the week. I do like that we’ll see a real conclusion to the match, but I don’t like how WWE is getting there. I wish this whole situation hadn’t occurred and WWE had just had James Ellsworth hold Becky Lynch’s leg while Carmella retrieved the Money in the Bank briefcase. It’s all very unfortunate.

In the follow-up, I hope we see a continued focus on the complete women’s roster on Smackdown with multiple one-on-one or two-on-two feuds. WWE has done a good job fleshing out this roster with distinct personalities and I would hate to see that fall by the wayside and become like Raw’s abysmal division.

This week’s essential viewing:

For the purposes of this column, this week will be presented as Thursday-Wednesday.

Shinsuke Nakamura and AJ Styles’ exchange at WWE Money in the Bank (June 18, 2017) – If you couldn’t tell from my earlier writing, I was in a bad mood by the time this match rolled around. This was the only thing on this entire show to snap me out of it for a moment. Not only did this match contain the best version of Shinsuke Nakamura we’ve seen on the main roster, but it also gave us a fun preview of Nakamura vs. Styles. I’m all in on this exchange. The rest of Money in the Bank can and should be skipped.

Samoa Joe vs. Roman Reigns and the return of Braun Strowman from WWE Raw (June 19, 2017) – Not only was Strowman returning a great moment (I’m all about opening ambulance doors and yelling in rage), but Joe and Roman were having a damn good match. This was better than their encounter when Joe debuted on Raw. It was really well done. I’m looking forward to more from these two wrestlers sometime someday soon.

What I absolutely positively love in wrestling this week:

This awesome art with Ms. Marvel meeting Mustafa Ali

What more needs to be said? Both Ms. Marvel/Kamala Khan and Mustafa Ali are great. Also the artist, Nadia Ramlan, produces a ton of awesome wrestling art, so she’s totes worth a follow.

What I absolutely positively love in the world this week:

Patsy Walker AKA Hellcat from Marvel Comics – This week is a little inaccurate, since this awesome series was cancelled by Marvel (Marvel tends to cancel good things rather often). I recently read the first two trades of this and it’s brilliant. There’s a great sense of humor and heart combining to make something special. This series is also delightfully inclusive. Kate Leth made something really special here and y’all should check it out.

Apparently I’m in a very Marvel comics mood this week.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away (preferably not like a garbage human, but I can’t stop you from being one)!

People had a lot of words to say about my piece from Monday morning about the inherent sexism of the Women’s Money in the Bank match. Let’s dive in and read how upset some people get when the word “sexism” is used. Please note, the typos in any of these comments are the from the writers of them.

Alissa had this to say:

While Ellsworth might makes sense from a storyline perspective, it simply kills off the very idea of what they advertised. A history-making match! And another milestone for the women no less. That it wasn’t. If anything, it resides comfortably in Santina Marella-territory, where a comedy guy was put over 25 women all at once. I was quite hesitant to buy into the hype about this match, simply because I have lost my passion to a certain degree, especially after Bayley’s horrendous treatment. But this? As a female viewer, I feel offended. And believe me, I have accepted poor match endings for storyline reasons way too often. But in this case, it was the wrong moment to do it. It sends a message that is not very encouraging. So after 24 years watching, starting at the age of 10, why bother anymore?

Alissa, thank you so much for adding to this conversation. This gets to the heart of the matter, as does the excellent blog from Dot Net’s April Lavalle from Tuesday. It is reminiscent of the Santina Marella moment at WrestleMania 25. While the followup to this has surely been better than the followup to that, it still feels wrong. It’s hard not to lose faith when you’re getting jerked around so much. I hope they begin to get it right.

I know I was asked in the last few days why I still watch wrestling when it gets so many things wrong. There are still those moments of transcendence beyond anything else in entertainment. When the crowd is rallying behind someone and everything clicks, wrestling is magic. I watch for those glimpses of magic.

Tony is adamant about letting me know:

This was a HEEL MANAGER helping their HEEL CLIENT win a match, it’s not the first and it’s not the last.

You’re not wrong. It was exactly that. It was a heel manager helping a heel client, but why was this the first and only time in about 70 Ladder Matches in WWE history a non-participant in the match took possession of the object to win? Could it be that WWE would never do this with their main event males, but didn’t mind it with women? Why didn’t Maryse ever grab the briefcase for The Miz or Rhyno for Edge and Christian?

Someone who comments as “Reality” had this gem to add to the conversation:

Its so pathetic that this site has a couple of guys who insist on being self-righteous and politically correct. Its WRESTLING. Not “real life”. Jesus. Get off your liberal high hors and remind yourself of that. Or, maybe in the future the WWE can have “safe zones” in the arena’s for powderpuffs like his guy.

First of all, thank you for making me think of The Powerpuff Girls. They rule.

Second, how is it pathetic for a wrestling site to present different points of view? Please explain to me how awful it is for someone to want wrestling to be better than it is. I know it must be hard for you to think of how wrestling might affect others with all the “Reality” (and typos) you’re bringing, but maybe you should give it a shot. This is the last time your asinine comments will be mentioned in this section.

Assassin V, on the Dot Net Member’s ad free website (it’s a great way to experience this site, y’all) commented:

Agree 100% and nothing brought it home to me in how upset my girlfriend was after it. Here is someone who is a very casual fan and they have ruined something she was looking forward to experience.
The only other part I would add is this clusterf— feels to have the fingerprints of Vince all over it. Something this heinous going through and not getting fixed could only have been green lit from the top with no one having the balls to stop it.
I do not think even a public apology would even suffice because in some parts they do not even suspect they did anything wrong. It will take a lot to come back from this grievous error of judgment.

I know I was excited about this, but I was surprised by my wife’s eagerness to see these five women fight in a ladder match. She was into it, right up until Ellsworth pulled down the briefcase. Then she was mad. She was really mad. She doesn’t care about professional wrestling in the same way I do and she doesn’t hold it to the standards I try to. She was just as mad about this as I was. There’s no way to fix this. That anger directly translates to not wanting to watch anymore, not excitement about a rematch.

Max opened his comment with this:

I think playing the sexist card is stupid honestly. Get back to me when they have a few more and they all end in the same manner.

That’s the thing, Max. They have had one. It ended this way. Another women’s ladder match hasn’t happened in WWE (I know one is on Tuesday). I purposefully called this sexism because that’s what it is. It’s sexism when men can have over 70 of these matches and nothing like this happens, but when women have one, it does. The strong reaction from people trying to say “it was dumb, but not sexist” has been obnoxious. Why do people feel like calling WWE, a company with a history of sexism and sexist treatment of female wrestlers, sexist is wrong?

Charlie felt the need to add his response to a cavalcade of stupidity saying:

Go cry about snowflake.

Words are hard, Charlie. Better luck next time.

There are plenty of other ignorant comments and vows to never read again, but I’ll stop now. I’m all out of f—‘s to give.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

This week’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

WWE Still Suffers From the Curse of the Attitude Era by Stephen T. Wright

The WWE Women’s Revolution: Just Add Men! by Ashly Nagrant

Let’s Not Be Angry About the Women’s Money in the Bank Match by Kate Foray

This Thread which not only features women’s actual MITB responses and how those women are treated by men online

We’re Done Here:

I had a lot to say this week. I know this approach to wrestling isn’t for everyone. I know some people would rather wrestling wasn’t examined on a deeper level. I’m not about that life though. Any entertainment worth enjoying is worth examining. I’ll leave you with another gem from Andi Zeisler’s We Were Feminists Once:

As someone who honestly believes that pop culture is a force that can, and has, changed the world, I want to at least entertain the thought that a culture half-changed by feminism can harness that power and finally go the whole nine.

Have the best week, everyone!

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Pruett’s Blog – WWE’s first ever Women’s Ladder Match ends in sexist stupidity Live returns today at 3CT/4ET at Will Pruett and Jason Powell will be taking your calls during the live audio show.

By Will Pruett

There were 51 ladder matches in WWE prior to Money in the Bank 2017. There have been 19 TLC matches. There have been a total of 70 matches where a ladder is climbed to retrieve an object in WWE history prior to Sunday. All of these matches involved men as participants. Never has a non-participant in any of these matches climbed the ladder and retrieved the object.

Last night in the first ever ladder match in WWE history to involve women as participants, WWE had a man climb the ladder and retrieve the Money in the Bank briefcase. This has happened 0 out of 70 times in men’s ladder matches. This has happened in 100% of the women’s ladder matches in WWE.

If you can’t see how this is some sexist bullshit, I’m not sure what to tell you. If you can’t see how this completely invalidates the entire idea of the ladder match (one of WWE’s most compelling special matches), I’m not sure how to convince you. WWE dealt damage to their company, their ongoing “women’s revolution,” and my personal affection for them last night.

Let’s start at the beginning. WWE was telling us all about how women were about to make history. We were seeing the gradual movement of WWE towards equality take another massive step with women being in one of the more dangerous and exciting matches. I was excited. I was telling friends about it. I love when these big moments happen and the wrestling world that I saw promote inequality for decades gets a little more equal.

The video package before the match played and in a couple moments, I felt the emotion of it. Charlotte Flair, Becky Lynch, Tamina, Carmella, and Natalya all seemed ready. This was exciting. My wife, who long ago gave up on watching WWE with me (because it’s bad and long) was even excited for it.

The match seems to be getting into gear when James Ellsworth climbs into the ring. He tried to ascend the ladder, but I assume it’s just to take a huge fall from it. He doesn’t.

WWE, a company overly consumed with optics and how it’s perceived at every turn, allows the “history making first ever women’s Money in the Bank match” to be won by a man. A man climbs the ladder while the women around him can do nothing but look shocked and disappointed.

There will never be another first women’s ladder match in WWE. There will never be another first Money in the Bank match for these women. There will never be the final moment of a first women’s ladder match with the eventual winner struggling to get to the briefcase and finally making it. We will never share in the true thrill this match should have provided.

Is it worth losing these epic moments to get James Ellsworth over? Is a low-rent character like Ellsworth really worth this logic-violating effort?

Now, before you tell me to wait until Tuesday night to be mad about this, know that they could have the best f—ing ladder match in history in the main event on Smackdown and I’d still be mad about this. Before someone tries to explain that WWE is telling a story, please know I would have no issues with Carmella having won this match with help from Ellsworth. She could have been on his shoulders in a fun callback to Rhyno helping Edge and Christian. This isn’t a situation where anything gets better through a wait and see approach.

The evidence from WWE suggests to me that they would have never pitched this finish for a men’s ladder match. They’ve had 70 opportunities to do so and it has never happened. If this had been the 15th women’s ladder match in WWE history, it might have been acceptable (but still quite dumb and infuriatingly illogical). It wasn’t. It was the first.

To call this anything but a sexist and tone deaf storytelling decision from WWE would be a mistake. WWE has shown an institutional bend towards sexism for as long as the company has existed and, despite using feminism (a word too dangerous for WWE, so they say “Divas Revolution,” “Women’s Revolution,” and now “Women’s Evolution” to soften the impact) as a marketing device.

This was a bad storytelling decision. This was a bad public relations decision. This was a bad wrestling decision. There is no excuse for the horrid ending to the first ever Women’s Money in the Bank match and WWE should publicly apologize for it.

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – Okada vs. Omega II: The ultimate professional wrestling sequel, the Shane McMahon gif of the week, podcast recommendations like whoa, and more!

By Will Pruett

It turns out Kenny Omega and Kazuchika Okada are magic together. There is no other way to describe the insane chemistry they have in the ring. Take it from someone with a full sleeve of tattoos dedicated to Harry Potter, it’s magic. At NJPW Dominion they showed this magic once again in a 60 minute draw over the IWGP Heavyweight Championship.

I’ve never enjoyed a 60 minute draw before. Honestly, I don’t usually enjoy long drawn out matches. While I’ll always go back and site Michaels vs. Hart at WrestleMania XII as one of my favorite wrestling moments, the first half hour is skippable. Orton and Cena literally had to try to blow each other up to make 60 minutes bearable at Bragging Rights 2009. People can talk all they want about the great 60 minute draws Ric Flair had in untelevised 1980s matches, but 99.5% of them sound boring to me. I can be easily bored in one hour and I wasn’t watching this.

I was interested for the entire 60 minutes and didn’t even realize 60 minutes were passing. I avoided spoilers prior to watching and watched with the Japanese commentary team (English was an available option, but I can’t handle Kevin Kelly calling NJPW. He’s not good at things.). I didn’t realize we were coming up on the time limit until about two minutes before the end.

One of the instincts we have as human beings, and especially wrestling fans, is comparison. People want to figure out if this Kenny Omega vs. Kazuchika Okada match was better than their Wrestle Kingdom 11 encounter. Here’s the thing: It doesn’t matter which match was better. It doesn’t matter which match gets more snowflakes on someone’s keyboard. It doesn’t matter which match a particular individual enjoyed more. Both of these matches are works of art and we, as appreciators of art, are lucky to have experienced them.

Instead of attempting to compare these matches, think of them as a series. We don’t sit around wondering which Star Wars film is better. While some have definitive rankings they follow, for the most part, we can all agree that Star Wars movies rule, as long as they aren’t the prequels (which still have their moments of greatness).

I’m going to suggest we think of Okada vs. Omega II as a just that, a sequel. Part of what made this match so good was the way it played on their Wrestle Kingdom 11 encounter. Omega spent the entirety of the Wrestle Kingdom 11 match trying to hit the One Winged Angel, but he never could. At Dominion, he did, but Okada was able to get to the ropes and break the pin. It was beautiful. It was heartbreaking. It was high art.

Friends, I’m not trying to fawn all over this match, but it’s honestly impossible not to.

The sheer exhaustion both Okada and Omega displayed at the end as they summoned all of their energy to hit one final move, praying it would put their opponent away, was palpable. There have been very few matches that could take me through an entire emotional journey, then tear my heart out. This is exactly what happened with each near fall. I didn’t take sides, but I wanted to see someone earn a victory.

In a couple weeks, I’ll be at the New Japan Pro Wrestling shows in Long Beach and I’ll see both of these men, but not against each other. Part of me wonders if NJPW is crazy enough to put the IWGP Heavyweight Championship on Cody Rhodes at this show. Could Cody back into the win Omega earned? This would be a quality way to make Omega the protagonist in NJPW’s ongoing story, establish Cody as an antagonist fans truly want to hate, and change the dynamic of an eventual Omega vs. Okada rematch.

Professional wrestling gives us moments of transcendence, but it rarely does so. It can bring exhilarating athletic action, but inspiring real emotion is a rare feat. This is the first match I’ve seen this year that has inspired real emotion in me. I’m eternally thankful for these moments.

This week’s essential viewing:

For the purposes of this column, this week will be presented as Thursday-Wednesday.

Kazuchika Okada vs. Kenny Omega for the IWGP Heavyweight Championship from NJPW Dominion (June 11, 2017) – Read the above essay, then go watch this f—ing match. It’s amazing.

Smackdown’s opening segment plus The Usos and The Colons vs. The New Day and Fashion Police (June 13, 2017) – This wasn’t transcendent, but it was a ton of fun. New Day entering with a live band was pure fire emoji. The Usos and all the subsequent promos produced some fun. The actual match was really enjoyable. This was good time-filling action from the Smackdown tag teams.

What I absolutely positively love in wrestling this week:

Marty and Sarah Love Wrestling – It’s a very podcast-filled week for my recommendations. I actually find myself looking forward to this show on a weekly basis and get excited when I see it has downloaded on Thursday mornings. It’s not serious. It’s filled with jokes it may take you an episode or two to catch on to. It has the best wrestler impressions in the world in a wide array of buddies. This is a gosh darn great show and you should add it to your weekly podcast consumption.

What I absolutely positively love in the world this week:

Harry Potter and the Sacred Text – This podcast is one of my favorite things in the world. It asks a simple question: “When was the last time you treated something you love as if it were sacred?” There is an element of sincerity to their exploration of the Harry Potter series that I truly love. They had a live show in Los Angeles on Tuesday night and it was a joy to experience a large group of like-minded Harry Potter nerds. If you love this book series, go to the beginning of this podcast feed and give it a shot.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

This has been a mail free week for me, which must mean everything I said in last week’s piece on how to fix 205 Live was absolutely correct. I’ll just sit here with a self satisfied smirk on my face rejoicing in my rightness.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

This week’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

What Pro Wrestling Would Look Like Under Socialism by Jetta Rae

We’re Done Here:

This week may have felt thin on WWE talk, especially with Money in the Bank around the corner, but such is life. I promise to have more words to type about WWE soon-ish! Thanks, as always, for reading everyone. This week has been a burst of positivity in wrestling blog form. Since it’s so happy, I’ll leave you with Leslie Knope and these inspiring words…

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – Why 205 Live is a garbage show and how to fix it, Wonder Woman is the greatest, must-watch matches from PROGRESS, NJPW, WWE, and more!

By Will Pruett

Last week, I talked about one of WWE’s great creative victories of the last decade: their tournaments run exclusively for WWE Network. This week, it is time to talk about one of the biggest creative failures I’ve experienced as a wrestling fan: 205 Live.

205 Live is horrid. It might be the worst wrestling show I’ve seen since the time I tried to watch WCW Worldwide in 1999. To make a show as bad as 205 Live, one actually has to try to be awful. It’s not enough to just say this show is bad. This show is exceptionally boring, bad at telling stories, and depressing.

To illustrate how much of a clusterf— 205 Live is, let me tell you about the world-class talent roster it has. Akira Tozawa, Austin Aries, Brian Kendrick, Rich Swann, Jack Gallagher, Neville, Gran Metalik, Mustafa Ali, Cedrick Alexander, TJ Perkins, and Noam Dar. If this were an indie lineup a promoter put together 12 months ago, I’d be at that show. It’s insane how great the wrestlers on 205 Live are.

We are talking about some of the best wrestlers in the industry today who are supposed to be wrestling a high-impact style. How the f— is this show failing? Take these wrestlers and put them literally anywhere else in all of wrestling and they would be insanely successful. The failure of the Cruiserweight Division cannot be blamed on talent, since the talent is the strongest WWE could possibly have.

While I find the overly purple look of 205 Live to be an unnecessary waste of tape on a weekly basis, I also can’t blame the look of the show. Who would stop watching a show because of a graphics package and rope color? Yellow ropes are hideous, but I still watch NXT. Even the red and blue color schemes of Raw and Smackdown are tedious, but still watchable. There’s nothing wrong with purple.

The first flaw in 205 Live has to do with atmosphere. The show is recorded after Smackdown every week, which makes absolutely no sense. Smackdown usually ends with a crescendo, propelling fans out of the arena to the merch area and their transport methods home. Sitting through another wrestling show, especially a show with nothing at stake, after Smackdown is exhausting. There’s no reason 205 Live couldn’t be pre-taped like NXT. Heck, go to Full Sail every two weeks and tape two 205 Not-So-Lives and two NXTs.

I’m not one to enjoy the Full Sail University crowds, but they are at least paying attention for 75% of a wrestling show. They would know the wrestlers appearing in front of them. They would probably even have distinct feelings to express about said wrestlers.

The bigger (honestly, the biggest) issue with 205 Live isn’t the atmosphere though. The biggest issue is the lack of stakes on the show. What exactly have Noam Dar and Rich Swann been fighting for? What is Mustafa Ali attempting to win in random matches? What’s Drew Gulak’s ultimate goal? There is one championship on 205 Live and only one wrestler and story can be built around it.

When the same two wrestlers have been feuding over the Cruiserweight Championship for three months, what happens to the rest of the show? 205 Live is one holding pattern after another until a championship feud ends. This is a major issue.

I don’t condone putting another championship in the mix on 205 Live. WWE has a bevy of belts right now.

What if WWE rolled out a ranking system for the Cruiserweights? I’m not saying they should do this through the entire roster, but just the 205 Live competitors. What if once a month, there were rankings (say numbers one through ten) revealed at the top of 205 Live? The top five wrestlers could go into a five-way elimination match for a title shot.

This gives everyone on the card something to fight for. If a wrestler is unranked, they can earn their way into the rankings with a win over a ranked star. If the number ten wrestler beats the number two wrestler, this will be reflected in a month. This gives greater internal logic to 205 Live.

WWE has already shown an ability to take Cruiserweight wrestling seriously with the Cruiserweight Classic. Why not bring this seriousness to a weekly format. Try giving the show greater internal logic. Make every match and moment on the show matter. Give fans a reason to watch every moment of 205 Live.

WWE has to do something to fix this broken hour of WWE Network programming. The insanely great wrestling talent on 205 Live deserves better than they’re getting right now. On Sunday night, fans sat on their hands during a Neville vs. Austin Aries match that got almost 20 minutes on pay-per-view. This is absurd to think about and it needs to be rectified as soon as possible.

This week’s essential viewing:

For the purposes of this column, this week will be presented as Thursday-Wednesday.

Jinny vs. Toni Storm vs. Laura di Matteo from PROGRESS Chapter 49: Super Strong Style 16 Day 2 (May 28, 2017) – PROGRESS Wrestling’s first Women’s Championship match delivered in a major way. This was the first PROGRESS show headlined by a women’s match and they earned the slot. This match goes everywhere and features three delightful and different performances from three great wrestlers. Storm, Jinny, and di Matteo should be commended for their performance and you should go out of your way to see this match.

Will Ospreay vs. KUSHIDA in the NJPW Best of the Super Juniors 24 (June 2, 2017) – Will Ospreay is amazing to watch in the ring and constantly getting better. KUSHIDA has been great for years and is the centerpiece babyface of NJPW’s Juniors division. Both men delivered great performances in this main event. More than this, the story told to put KUSHIDA back into title contention against Hiromu Takahashi was fantastic. This was one of the best matches this year and part of a great story. Where could you go wrong?

Samoa Joe vs. Roman Reigns. Seth Rollins vs. Finn Balor vs. Bray Wyatt from WWE Extreme Rules (June 4, 2017) – Would this match have been better as a Scramble Match? Absolutely. This isn’t even a debatable point. Was this a really fun match? Yep. The last ten minutes of this five way were some of the most unpredictable and exciting wrestling I’ve seen all year. Seth Rollins seemed to return to high flying form. Finn Balor was able to look great in defeat. Roman Reigns was kept away from the title, as he likely will be until WrestleMania. Samoa Joe’s win was unpredictable, yet made perfect sense.

Samoa Joe Chokes Out Paul Heyman on Raw (June 5, 2017) – I’m not particularly amused by Paul Heyman’s promos these days. I’m not particularly compelled by Samoa Joe’s promos either. When the mics were down and Joe got in Heyman’s face and calmly explained what he was about to do? I was in. All in. Completely in. This was everything I want Samoa Joe to be.

What I absolutely positively love in wrestling this week:

Mojo Rawley – You’re probably looking at me like I’m crazy right now, but I have a soft spot in my soul for Mojo Rawley. He brings a fun earnestness to his promos (like backstage with Shane McMahon this week). He literally makes me smile while he’s in the ring. Mojo is a weird pure shot of joy for me. He doesn’t just get hyped, he stays hyped and I like that about him.

What I absolutely positively love in the world this week:


Gal Gadot is a f—ing badass. This is an amazing superhero movie made more amazing by the portrayal of the protagonist. It’s not just the first superhero movie of the new era with a female protagonist, it’s one of the best ever. Given that Marvel has produced 15 films at this point without a female protagonist among them, this movie stands out even more. GO WATCH WONDER WOMAN!!!!!

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Brittany wrote in sharing some GLOW excitement:

Like you, I’m also pretty excited for GLOW when it hits Netflix. While my knowledge of that promotion is pretty slim, I’m interested to see just how the show does, especially since Awesome Kong/Kharma is in the show.

I had completely forgotten about the former Awesome Kong being involved in this show and now I’m even more excited. Hopefully acting becomes a solid second act for Kong, who was spectacular in her prime.

Arky challenged me with the following:

Wrestling isn’t a short-run prestige drama. It’s a soap.

I’m sure the quality of the action would be higher if they only had to produce 10 tightly scripted shows a year and could shoot and re-shoot to ensure it was all as good as it could possibly be. So what? I reckon all wrestling fans are a lot happier with year-round live shows with the highs and lows that result from that than they would be 10 episodes a year.

This is an interesting point. My piece last week seemed to endorse wrestling in short bursts only and I don’t believe that’s necessary. I also don’t believe wrestling needs to have poor quality just because it’s weekly. WWE employs an army of writers, most of whom are pretty talented. The doldrums WWE regularly exists in aren’t necessary. You don’t have to be a short-run show to avoid them. You need to be a better show.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

Slow motion Shane McMahon is peak Shane McMahon…

This week’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

I Hate Wrestling Nazis: White Supremacy and Indie Wrestling by Ed Blair

We’re Done Here:

So many wrestles happened in the last week and there was so much to see, read, and experience. It’s been pretty great. This hasn’t been the easiest week for me personally, but watching wrestling has been a joy for most of the week. This reminds me of the immortal words of Albus Dumbledore…

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – Prestige TV and Professional Wrestling: Can one be the other, reader mail, and the superfluous Shane McMahon gif of the week!

By Will Pruett

Television has gone through a revolution in the last 15 years. While some has gone for the lowest common denominator (non-Total Divas reality TV, Impact Wrestling, etc) and made a mockery of the medium, some has transcended what was previously believed about the art form. The genre of prestige television has come into existence and I’m personally grateful for it. This week, I want to look at prestige television, wrestling, and if wrestling has evolved the genre.

First we have to ask what is the prestige television equivalent for wrestling? I don’t believe it’s a foreign/alternate language wrestling show. We all have a friend who got super into French Netflix shows and won’t shut up about them. They’re the friend who watches every NJPW show and considers you a dumbass for not. I also wouldn’t say only major shows count. NXT Takeovers are amazing, but the weekly television show is often less exciting than watching paint dry.

The closest thing to prestige television I’ve seen in professional wrestling is the one-off tournaments WWE has produced for WWE Network. We’ve seen two of them thus far and a third (this time with women!) isn’t far behind. These tournaments have a ton in common with modern prestige television:

  • They’re limited. Game of Thrones has ten episode seasons (except for this year). Breaking Bad only had five seasons in it. WWE’s tournaments only have a few episodes. They can only last as long as the tournament is scheduled to go.
  • They have a self-contained universe. This is really important. There are rules the worlds in these television shows function by and those rules are not broken. Look at WWE’s United Kingdom Championship Tournament to see how simple, but complete the rules of the universe are. Pete Dunne broke those rules and was able to become a top level heel.
  • There is a seriousness in tone. Prestige television famously lacks a funny bone. While this is starting to change, there’s no doubt Mad Men exemplified self-importance. These WWE tournaments don’t have much room for jokes. There aren’t any weird non-serious moments that cause second takes. There are wins and losses and they matter.

For WWE, much of what gives these tournaments their quality is structure. WWE ignores their own structure so often on Raw and Smackdown, it now doesn’t seem to exist. In these tournaments, we find WWE following a narrative formula. While this may seem to constrict what WWE could do, the structure offers them even more creative opportunities.

When have we ever seen a story about an older wrestler seeking one last moment like Brian Kendrick’s in the CWC? Has anything been as simple, but effective, as Tyler Bate’s ascension to the WWE UK Championship? Cedric Alexander vs. Kota Ibushi was a simple underdog story, but arguably the most effective WWE match of the last year.

This rigid structure gives WWE a box to create in. When they limit what they can do, what they do is better.

Next week: Fixing 205 Live and how WWE broke their Cruiserweight Division after a great start.

This week’s essential viewing:

For the purposes of this column, this week will be presented as Thursday-Wednesday.

Io Shirai vs. Shanna from June 6, 2016 – I’m going far outside of the past week here, but the past seven days haven’t produced wrestling I have considered essential. In between keeping up with the week in wrestles, I’ve found myself on a Io Shirai kick. This happened to be the first match of hers I watched this week. From the beginning you can tell how skilled she is as a performer. She’s one of the best wrestlers in the world, regardless of gender. It’s worth subscribing to Stardom World to see her back catalog of work.

Roman Reigns vs. Seth Rollins from WWE Raw (May 29, 2017) – While I currently find both of these characters difficult to emotionally connect to, in the ring they are still great. What I enjoyed about this match was the timing they seemed to have with each other. There’s a great chemistry to Reigns and Rollins when they wrestle and it’s worth watching every time. Rollins jumping into Superman Punches was a thing of beauty here.

Pete Dunne vs. Mark Haskins vs. Mark Andrews from PROGRESS Chapter 48: Bang The Drum (May 14, 2017) – If you’ve enjoyed Pete Dunne in WWE, you’ll greatly enjoy his efforts in this non-stop triple threat match from a couple weeks back. This match is pure energy from beginning to end and should totally be seen.

What I absolutely positively love in wrestling this week:

Netflix’s GLOW trailer – Okay, this is only tangentially in wrestling, but I believe it still counts. Hell, it’s even relevant to this week’s main essay topic in a way. This looks like a fun dive into 1980s wrestling stereotypes. I’m also a sucked for Alison Brie in basically any show. I’m counting down the days until June 23.

What I absolutely positively love in the world this week:

“Requiem” from the Original Broadway Cast Recording of Dear Evan Hansen – This is a beautiful and complicated song that had me crying as I drove from Los Angeles to Orange County this week. There’s a mournful spirit to it, but it refuses to mourn. It confronts a ton of the complicated feelings those around someone who has taken their own life have to deal with. It may seem like a downer as you read it, but Laura Dreyfuss’ soaring vocals make this a pleasurable listen. Check it out!

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

Feedback from my first week doing this has been really fun to wade through. Thanks to everyone writing in! Keep it up!

Ender B emailed some very kind feedback, including this:

“My daughter, just barely 3, loves Charlotte, Bailey, Banks, and Bliss. I’ve been working really hard to introduce her to powerful, talented, hard-working women early on. I owe a lot of that to wrestling, believe it or not.”

I write a ton about representation mattering for this very reason. I have a young niece who watches WWE. One day, I hope to have a child that watches with me. Wrestling is a superhero story where you can go and watch the heroes save the world live in an arena just like on television. It’s magical. I’m happy to see more strong women amongst those heroes and will continue to push further.

“Juggalo Steve” offered his most assuredly awkwardly face-painted voice to the conversation saying:

“Small doses of you are irritating enough. This is the most “must skip” item this site has ever turned out. It might be enough to make me dump visiting the site for a while in hopes that numbers dwindle until your awful, blatantly dishonest, one-sided SJW garbage is gone.”

As far as must-skip items, Jason used to post individual wrestlers birthdays as stories. Those were the epitome of must-skip. I always laugh at the accusation of my clearly marked editorials being one-sided. Of course they are. It’s my side. I have no responsibility to present another argument for any reason but obliterating it, which I’m about to do. Finally, SJW, or Social Justice Warrior still sounds more badass to me than insulting. It makes me think of Ultimate Warrior, but without his blatant homophobia, racism, ableism, and the other generally awful portions of his personality.

Russell kindly commented

“An MFA in Drama? I knew there was a reason I enjoy your point of view, Will. Keep up the good work.”

Well, Russell, I’ve always believed the entire point of having a terminal degree in my field was flaunting it. Since I no longer work in academia and can no longer place it pretentiously in my email signature, I have to occasionally mention it while talking about professional wrestling. Thanks for giving me the chance to do so this week.

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

This week’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

Pro Wrestling’s Culture of Blind Followership and Lack of Creative Thought by Brandon Howard

Wait, is Jinder Mahal actually a babyface? by April Lavalle

We’re Done Here:

And thus ends another week! Thank you to everyone who wrote in with names, ideas, or thoughts after last week. I’m settling into a fun rhythm here and I hope you’re all enjoying it. Today, I’ll leave you with the wise words of troubled fictional character Don Draper, “If you don’t like what’s being said, change the conversation.”

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Will’s New Thing – What Tomasso Ciampa and Jinder Mahal tell us about the nature of villainy in wrestling, this week’s essential viewing, and more in Will Pruett’s new weekly feature

By Will Pruett

Let’s try something new. Let’s try something different. Let’s try something I can get excited about.

Okay, so new is an overstatement. I’m still a white dude pontificating about professional wrestling.

I’ve been watching weekly WWE television for my entire adult life. Despite the assertions from my parents that I’d eventually grow out of it, I never did. Wrestling saw me through being mocked in middle school, being mocked in high school, being eventually accepted as a weird theatre kid in high school, being shy in college, being bold in college, not giving a cuss in grad school, and into my professional life.

It’s wild, to be honest, to have loved something this much for this long. So, why change what I’m doing now? I’ve watched and reviewed weekly WWE television in some from since 2009. It’s been eight years. A lot has changed about WWE TV. A lot has changed about me. My writing has been as much about my own relationship with professional wrestling as it has been about wrestling itself. As my interests in life have changed, what I look for in wrestling has changed. As I’ve found myself reading more feminist literature, I find myself looking for more actively feminist professional wrestling. As I’ve found myself questioning narratives and power structures, I can’t help but do so in professional wrestling.

Wrestling is more than just a couple people, a 20 square foot space, and fans. Wrestling is a reflection of our shared culture. Wrestling is as much about the stories we tell ourselves about good and evil as it is about athleticism. It’s as much about morality plays and melodrama as it is about 450 splashes and irish whips. Wrestling is a great art form despite it being frequently maligned.

I love professional wrestling. I love the pure heroism of it. I love the villains it can produce. I love the stories, both simple and complex it can create.

Looking at the last week in WWE, I can’t help but reflect on the nature of villainy. Wrestling doesn’t work without villains for heroes to overcome. This is basic sports storytelling as well. Watch ESPN going into a Super Bowl and you’ll see attempts to make various players the heroes and villains in the narrative arch they create. Wrestling, obviously, does this in a more direct way.

WWE made great strides in establishing two key villains this week: Tomasso Ciampa and Jinder Mahal.

One of these men is being presented as a the standard foreign antagonist we’ve seen time and time again in this art form. It’s common to see crowds get riled up over nationalism and WWE is finding a way to tap into a nationalistic instinct they’re never far from. They’re harnessing this by making Jinder Mahal an avatar for and a preacher of diversity. While Mahal has other villainous aspects, his character is rooted in a long tradition of xenophobia in wrestling.

The other man is being presented as simply ruthless and angry. There is no misunderstanding to justify Ciampa’s actions at the end of NXT Takeover: Chicago. WWE went as far as highlighting Johnny Gargano sacrificing himself for Tomasso Ciampa prior to Ciampa’s turn. Ciampa was angry, vicious, and unrelenting. Ciampa punished Gargano for an unknown reason. Ciampa is a villain because of his ruthless cruelty. He is not justified in a traditional sense, but I assume he’ll be justified in his own mind.

What makes a better villain? Is simply being a different race, despite the significant diversity of the WWE roster, enough? Is overwhelming cruelty enough? What makes these men wrong to standard viewers? For me, it is far easier to despise cruelty than it is to despise otherness. It is harder to empathize with exceptional and vicious anger than it is being different.

My plan is to use this space to discuss many of the things about professional wrestling I love, but I also want to use this space to call professional wrestling to be better than it has been for years. I want to advocate for social progress in professional wrestling, just as I would any form of entertainment. I know some folks are uncomfortable with this, but my hope is they’ll read and give it a shot. I promise to work in some jokes, weird musical theatre references, silly turns of phrase, and all the other semi-enjoyable things I offer on a regular basis.

This week’s essential viewing:

For the purposes of this column, this week will be presented as Thursday-Wednesday.

Pete Dunne vs. Tyler Bate for the WWE UK Championship from NXT Takeover: Chicago (May 20, 2017) – Remember what I said about simple professional wrestling stories being great? Pete Dunne is a bad guy willing to do anything to get ahead. Tyler Bate is a good guy who got ahead through hard work, despite his young age. They fought. It was amazing. Fans, even those unfamiliar with Bate and Dunne before this, were able to buy into the simple compelling story. This was a masterclass in how simple and effective wrestling storytelling could be.

Will Ospreay vs. Ricochet from NJPW’s Best of the Super Juniors (May 18, 2017) – They made a ton of noise with their statement match in the Best of the Super Juniors tournament last year. This year they had a similarly styled match, but the drama at the end was much more intense. Once again, this match stated that wrestling is an art form and, if you’ve read what I’ve written up to this point, you know I’m a fan of this perspective. If you’re into the state of the art in high flying drama, this is a match for you.

Tomasso Ciampa’s actions after the main event of NXT Takover: Chicago (May 20, 2017) – There was a lot going on here. WWE subverted the post-NXT main event curtain call trope they’ve played into time and time again. The good guys lost and, when they lost, they took a long bow. It seemed like the show was neatly wrapping up, but Ciampa made sure it didn’t. This wasn’t just great in the moment, it was great in the long line of NXT Takeovers as well. WWE did some high-level storytelling with this.

Jinder Mahal’s WWE Championship Celebration from Smackdown Live (May 23, 2017) – This should be Jinder Mahal’s entrance forever. I don’t care how much money it costs to fly an Indian dance troupe all over the world, it’s worth it.

What I absolutely positively love in wrestling this week:

Since production is what I’ve learned to do in life (In case you didn’t know, I have a MFA in Drama), I look at wrestling production in a particular way. When NXT started running larger arenas in 2015, they did something really unique and cool. They turned the lights down on the crowd and focused attention on the ring when action was happening in the ring. At some point, they got away from this, lighting the NXT Takeover: Brooklyn II crowd the same as the SummerSlam crowd. In Chicago, NXT returned to its former basic lighting approach during matches and it was delightful.

What I absolutely positively love in the world this week:

Master of None, Season 2, Episode 8 “Thanksgiving” – Can we talk about Master of None on Netflix for a moment or three? I think it’s my favorite television show of all time. Aziz Ansari has produced two seasons of insightful, enjoyable, funny, and touching television I can’t help but re-watch again and again. One of the many highlights of the recently released season is the “Thanksgiving” episode, which offers amazing insight into multiple cultures I am on the outside looking into. By the end of this episode, I found myself laughing through tears.

Watch. This. Show.

Reader mail:

Got something to say/react to in today’s piece? Write to me at or on Twitter @wilpruett. Just let me know whether you’d like your name attached to your statement or not. Alternately, there’s a comment section just below this article, so comment away!

To kick off this column, let’s go to the comment section of my last Pause where Arky wrote “The Scramble match is silly because effectively only the last fall matters.”

Arky, I respectfully disagree with your premise that the Scramble Match is silly in any way and refuse to listen to the paragraphs of reason you followed up with. Thank you for reading and have a great day!

Reader Alissa commented “As far as Bayley goes…and maybe my hearing is just bad, but it seems to me as if people are turning on her already. Her cheers are nowhere near the level they were when she debuted. And having her go at it on the mic with Bliss certainly doesn’t help. I agree with making things hard for her, since she got too much too soon anyway, but if you do that, have Bliss use really underhanded tactics to get the last laugh while Bayley refuses to give up until the eventual happy ending. But looking at the last weeks, Bliss didn’t need dirty tactics. She simply beat Bayley clean at Payback and easily dispatched her on RAW this week. All that does is make Bayley look like a weak chump. And while that wasn’t that different from her NXT-career at times, viewers on RAW might and probably will react a little different. And as a fan of hers, that’s not encouraging.”

Alissa, I couldn’t agree more about the diminishing crowd reactions to Bayley and them being symptomatic of a bigger problem. WWE is not doing justice to this character. They’re making many of the mistakes they avoided in her NXT run while at the same time hoping fans who loved her in NXT stay emotionally invested through bad booking decisions. WWE clearly doesn’t know what story they’re trying to tell with Bayley’s character and it’s all getting lost on the bloated Raw program. Raw is also not a show that encourages fans to cheer for nice people, which will be a problem for Bayley. Thanks for commenting!

SSMGOTW (Superfluous Shane McMahon Gif of the Week):

This week’s wrestling reading:

From time to time, I want to highlight some of the best wrestling reading I’ve found over the past week.

Don’t Hinder Jinder (with xenophobia) by Nadir Shirazi

The 5/22 Raw Breakdown by Kate Foray

We’re Done Here:

So this was week one of a new thing. Feedback, either positive or negative would be awesome from y’all! Heck, if you have a better name suggestion, I’m about that as well. Let’s get interactive in this space and have some fun with it. I have to throw a thank you out there to Jason Powell, who has been nothing but supportive of me basically getting to write the kinds of things I’d like to read.

Will Pruett writes about wrestling and popular culture at Of interest to him are diversity in wrestling and wrestling as a theatrical art form. To contact, check him out on Twitter @wilpruett, leave a comment, or email him at

Pruett’s Pause: WWE Raw – Why the hell isn’t the “Fatal Five Way” a damn Scramble Match, Rollins vs. Wyatt, Balor vs. Reigns, and more!

By Will Pruett

Will Pruett watches the 90 minute Hulu edit of Raw because it’s better.

If five top level main event stars are going to participate in one match together, there is only one acceptable match type for it to be. No, a “Fatal Five Way” is not the correct type. It will never be the correct type.

First of all, WWE has used “Fatal Four Way” incessantly despite the fact that no one has ever died during a match. Second, it also shows a massive breakdown in the automatic alliteration acclimator WWE uses to come up with weird match names. Why use “Fatal” twice in a row? Were there no other f-words WWE could come up with?

Fantastic Five Way?

Formulaic Five Way?

Festival Five Way?

Final Five Way?

Fortunate Five Way?

You know what, this shouldn’t even be a problem. WWE’s lackadaisical laziness when it comes to alliteration shouldn’t be a problem, because this match should have just one stipulation.

In 2008, WWE came up with one of the few concepts they would only ever do on one night. It was confusing, but for some reason they had three of these matches on the same show (WWE Unforgiven 2008). The Scramble Match was the flavor of the evening with three matches each featuring temporary champions and a massive amount of pins, submissions, and finishes. This is what we need at Extreme Rules.

This is a match type custom built for five wrestlers. WWE is putting their top five wrestlers on Raw (aside from the always inactive Brock Lesnar) in one match. Why not stagger the entrances? Why not have multiple falls? Why not allow us all to enjoy the goodness of a gosh darn Scramble Match once again?

This is certainly better than a Seth “Freakin’” Five Way at Extreme Rules. This is the future wrestling fans want.


And now for some random thoughts:

– Why has Raw been the show with weird welding graphics for years? What is it about Monday nights that makes WWE continuously insist on welding sparks flying across the screen? I’m tired of welding. Welding is lame.

– Roman Reigns and Finn Balor had their second ever match on Raw and it was another good one from the two of them. It’s a weird dynamic to see these two together because the size difference tends to make Balor the more sympathetic option. Also, Roman Reigns (as a character) is kind of an ass. This was a fun match and probably the most worth-watching thing on Raw.

– As far as opening segments with six people saying almost nothing go, the opening of Raw was alright.

– WWE spent time promoting WWE 24’s Finn Balor special on this show and I couldn’t help but think these awesome documentaries should be a part of Raw. They’re a great way to let fans get to know all of the stars. I know it’s not the most exciting thing for a live crowd, but neither is Titus O’Neil and apparently he’s still a thing.

– Dean Ambrose vs. The Miz was almost as good as the Balor vs. Reigns match. This was a solid night for ring work. I enjoyed the disqualification in this match to build for Extreme Rules. It’s a logical way to get to a match between the two with the opposite of Extreme Rules at Extreme Rules.

– Alexa Bliss was sent out with very little text of substance to say. She still made it work.

– The portrayal of Bayley on this show was pretty harmful. I wish Bayley’s character was still clicking, but WWE has done a lot of harm to her.

– A Kendo Stick on a Pole match is almost as dumb of an idea as not having a Scramble Match.

– Seth Rollins is going to be attacked by Samoa Joe for the rest of his life. In every match, this is his destiny. He will never win by anything but disqualification again. Samoa Joe will spend the next 15 years shouting “This isn’t over” at Rollins.

– Jeff Hardy vs. Sheamus was fun, but I’m not sure about Sheamus losing this close to his heel turn. I would prefer some actual momentum behind Sheamus and Cesaro prior to losing again.

– Hulu Raw rarely believes in cruiserweights. I appreciate this.

– It took more self control than I’d like to admit to not say “F—ing Five Way” in my above list.

Got thoughts on this show or my review of it? Hit me up with them! Check the Twitter @wilpruett, leave a comment, or email me at

Pruett’s Pause: WWE Raw – Overseas Raw episodes and sleepiness, Miz vs. Ambrose takes center stage, Rollins vs. Samoa Joe, and more!

By Will Pruett

Will Pruett watches the 90 minute Hulu edit of Raw because it’s better.

WWE has a very distinct formula when they go overseas to film an episode of Raw. After doing this twice a year for over a decade, it’s easy to spot the trend. Instead of forwarding a ton of stories and taking some of the risks they’d usually take with a normal live Raw episode, WWE relies heavily on time-filling in-ring action to get through the three hour marathon with minimal character or story development.

Sometimes, this formula works wonderfully. Shawn Michaels and John Cena put on the best Raw match of all time, going over an hour in April of 2007. Sometimes, the formula is terrible and it results in a super obnoxiously unfathomably boring show. This show found a balance in the middle. Nothing was terrible, yet nothing will stand out or even be remembered in a week. This week’s Raw was among the “meh-est” Raws of all time.

The show was built around a feud WWE has already seen to completion on Smackdown and was more about the interesting personalities of super-serious bad guy The Miz and wacky Dean Ambrose. It was all in the name of building up their Intercontinental Championship match next week. While I’m happy to see these two get some build up for their match next week, this program is not exactly my favorite. I’m more anxious for the personality of Ambrose to shift to something less comedic.

Ambrose and Miz was the bookends (with Miz vs. Balor and Ambrose vs. Wyatt) and the throughline of the show, as they were also the co-General Managers for the night. I tend to dislike wrestling shows built around a “OMG can you believe who is in charge?!?!” plot and this was no exception. This was some of the most illogical fictional world destroying content WWE could have produced. It ruins many of the things WWE tries to constantly tell us about their universe and it wouldn’t be accepted in any other fictional medium.

WWE often gets a pass for illogical (and awful) storytelling because it is wrestling. I’m not about that noise. WWE should be held to the standard of any entertainment product.

Anyways, this show also featured a whole lot of noise from Samoa Joe and Seth Rollins, but very little development. There was one segment for the Women’s Division again, with little character development and some puzzling decision making (Bayley taking all of the babyface attention away from Mickie James). There was a good tag team turmoil match with a good story centered on Cesaro and Sheamus that highlighted the show.

Everything else on this show hardly stands out to me. This was a boring show and it was hardly worth the 90 minutes I invested in watching it.

And now for some random thoughts:

– The new Hulu Android interface is very poor.

– Mickie James should have come off like a major star in this match, but instead she was second fiddle to Bayley. It was really strange.

– Braun Strowman’s injury comes at an unfortunate moment, but WWE can do a lot with it. Him returning to once again take on Roman Reigns will be highly anticipated. Braun taking on Brock Lesnar, as he said he wanted to do on this show, should be a major match (possibly for SummerSlam). This isn’t the worst moment for a Strowman injury and people will be happy to see him when he returns.

– Maryse isn’t asked to do much at The Miz’s side, but she stands out in really fun ways. I love the subversion of the “heel hiding behind a woman” trope when Maryse steps in to guard Miz. She’s done it two weeks in a row and it’s great.

– Kalisto’s new theme music sounds like a mistake.

– Nia Jax and Alexa Bliss in an alliance should be fun.

– The crowd on this show was pretty awful. London has a reputation for electric crowds, but this crowd was intent on being a distraction or doing nothing. We needed a middle ground between the two. This was bad form from the London crowd and I’m sad that Smackdown will be there tonight.

Got thoughts on this show or my review of it? Hit me up with them! Check the Twitter @wilpruett, leave a comment, or email me at

Pruett’s Book Review: The WWE Book of Top 10s – A list about a book about lists!

By Will Pruett

On May 9, 2017, The WWE Book of Top 10s will be released. I know what you’re all thinking, every website ever in the history of mankind has made page after page of lists. Lists are the internet’s strongest asset (aside from a free exchange of ideas). However, to properly review this book of lists, I felt the need to make a list.

Top 10 Things You Need to Know about The WWE Book of Top 10s

  1. The forward is written by list-maker extraordinaire Chris Jericho and is pretty funny. I might have gone for the “Perfect 10” Tye Dillinger in a book so heavily reliant on the number ten, but I understand both tactics. Jericho is definitely a more prolific and charming writer than I assume Tye is.
  2. This isn’t the book you’re going to purchase to satiate your hardcore wrestling fandom and debate about definitive lists. This is the book you’re going to purchase for a healthy dose of WWE nostalgia or as a fun way to show the younger fans in your life moments you love and cherish.
  3. There are 100 lists in this book, all in vibrant full color. It grabs your attention with each page and, even in moments when you find yourself being that human and disagreeing with the book (I did this a few times), there’s always another list on the next page.
  4. The best list in this book is the Top 10 Emotional Championship Victories. Reading through this list and remembering each of these moments was a nice way to pass between two and four minutes.
  5. The worst list in this book is the Top 10 ECW Champions because it leaves off Vince McMahon. It also weirdly just lists lengths of ECW Championship reigns and few other reasons for wrestles to appear on the list.
  6. The strangest list has to be Top 10 Non-Title Matches. I can’t help but imagine a group of wrestling scholars gathered around a table for multiple years watching every non-title match in WWE history to come up with this list. I’ll give them credit for including a Shane McMahon match on the list though!
  7. I learned the title of Steve Austin’s theme music from the non-grammatically named Top Ten Entrance Music list. Apparently it’s “I Won’t Do What You Tell Me,” which seems a little too on the nose.
  8. There’s a list of Top Ten Rising Superstars, so you should probably buy this book soon. This page won’t be relevant forever.
  9. A suggested game to play with this book: Divide some friends into Family Feud-esque teams and try to guess all the contents of a list. Find a way to copiously drink while doing so. Have a great time!
  10. This is a very walk down nostalgia lane with a fun mix of modernity in it as well. It’s not for everyone, but if you want a fun hit of wrestling nostalgia along with some silly numbers, this book is for you!

Got thoughts on this book or my review of it? Hit me up with them! Check the Twitter @wilpruett, leave a comment, or email me at

Pruett’s Pause: WWE Smackdown – Kevin Owens, Chris Jericho, and the right place for endings, Jinder Mahal vs. Sami Zayn, and JBL gets back to being terrible

By Will Pruett

Chris Jericho and Kevin Owens ended the program they began just before SummerSlam 2016 when they were a random tag team to face Enzo and Cass on this show. It ended with the final defeat of Jericho at the hands of Owens and a major injury angle to finally write Jericho off of WWE television. I left this very good match and delightful performance from Jericho and Owens wondering about the nature of endings in professional wrestling.

Wrestling is built around endings. The “blow-off” match for a feud is usually the biggest match after all of the other options in a feud have been exhausted. With any luck, it’s promoted and becomes the main story on a show it is on. Professional wrestling can offer what no actual sport can: a guaranteed ending with a satisfying conclusion. This is a huge advantage to the scripted medium and one of the biggest reasons to enjoy a scripted medium over a real one.

The timing of endings is often questionable to me. Some stories end at WrestleMania (like The Rock vs. John Cena after two and a half long years), but some seem to end (like this one) on a random episode of Smackdown. I don’t mind taking an ending away from the WWE Network, but it seems like a strange strategy. If I’m supposed to have the Network and never want to miss an important ending, shouldn’t I be given endings there? What’s the point of an ending happening on television?

I know more people see WWE television than see the WWE Network, but this has always been true, especially in the era of major pay-per-views.

I didn’t always find myself enjoying this feud between Chris Jericho and Kevin Owens. Most of what they did as a team didn’t appeal to me, especially while trying to handle the weight of the Universal Championship and carrying the bulk of Raw through the summer. I loved the turn, but not necessarily the timing of it. I haven’t clicked with Jericho’s babyface schtick. Despite all of this, the ending here made sense.

Owens and Jericho are a couple good performers who gave us a conclusion worth watching. I’m happy about this and glad this run could occur for Jericho.

And now for some random thoughts:

– JBL returned to his insufferable self on this episode of Smackdown and it severely decreased my enjoyment of the overall show. He was overbearing, far too loud, and altogether obnoxious. He detracted from Smackdown itself making me wish I could pay Hulu an extra $4.00/month to get rid of JBL’s commentary like I can for commercials.

– Maybe I’m in a good mood this week, but I really enjoyed the silly Fashion Police segment with Tyler Breeze and Fandango. It’s not what I’d do with them, but this segment was a fun promo about The Usos. It did something to establish these two as characters, while also giving us some fun easter eggs (especially on the bulletin board behind them). I will give the Fashion Police a thumbs up for now.

– Working AJ Styles into the show early on to keep him out of the Jericho vs. Owens rematch was a nice device. I’m excited for Owens vs. Styles at the top program on Smackdown.

– It’s interesting to see WWE really emphasize the secondary championships on Raw and Smackdown this week. Both shows were without their top champions and they chose to make the Intercontinental Championship and United States Championship feel important. Endowed props are only worth the worth their endowed with. This was a great week for secondary titles.

– Now that Jinder Mahal is in a key role in WWE, I am waiting for him to prove he deserves it. He had a thoroughly unexciting match with Sami Zayn where he looked clumsy and slow. He still yells every word he says instead of speaking like a normal human. Giving Mahal an opportunity to shine is fantastic for WWE and Smackdown. Jinder Mahal now needs to prove he belongs where he is.

– Without Randy Orton on this show, I was left to wonder if he is still trapped in a weird house in San Jose, in the ring at the SAP Center in San Jose, or in some sort of post-match hell Bray Wyatt has created. Wyatt said Randy could never leave; what if he was right?

– Becky Lynch sure did take awhile to run out and help Charlotte and Naomi. The setup for the attack was obvious, as was the solution. The idea of conflicted Becky Lynch hasn’t struck a chord with me. What is making her feel conflicted? She’s been fighting Natalya and Carmella for a long time. This should be a cut and dry position for the clearly morally superior character Lynch has been. Adding weird conflict feels like overwrought mystery for the sake of mystery.

– Charlotte Flair is being portrayed as the new top protagonist in Smackdown’s Women’s Division and, in a way, the top protagonist on all of Smackdown. She’s been painted as the biggest star on the show and is being put in segments normally reserved for major stars (top of the show, top of the second hour, and end of the show). I’m hoping WWE doesn’t go too quickly to Flair winning the Women’s Championship. If they build it up, it could (and should) be a major main event moment on pay-per-view. Honestly, I’d look at putting Charlotte’s eventual fair title shot on last at SummerSlam.

– With Carmella pinning Naomi, I wonder if that’s a future Women’s Championship match. It would be a way to delay Charlotte getting a shot for a little longer.

– Shane McMahon is still an enjoyable professional wrestling character. It’s difficult not to delight in him being on screen.

– The “Let’s Go” on Smai Zayn’s video wall shows up before Sami’s music shouts “Let’s Go” and this annoys me.

– Tye Dillinger was essentially the mascot for NXT fans to get behind for years (Like Captain New Japan). I wonder if this will click for Smackdown. Dillinger is pretty talented and is early in his main roster run. I hope he is able to become something compelling for Smackdown.

– Aiden English is funnier than we all give him credit for.

– Dolph Ziggler is very bad at being a naturalistic arrogant bad guy. He’s overdoing everything by about 34% and it’s not fun. Ziggler getting upset about Shinsuke Nakamura is getting exhausting. Their match at Backlash couldn’t come soon enough.

Got thoughts on this show or my review of it? Hit me up with them! Check the Twitter @wilpruett, leave a comment, or email me at

Pruett’s Pause: WWE Raw – Finn Balor vs. Seth Rollins vs. The Miz shows some rare efficiency, Alexa Bliss could be the best in the world, and more!

By Will Pruett

Will Pruett watches the 90 minute Hulu edit of Raw because it’s better.

It’s not often I can praise Raw for its efficiency, because the nature of the show is stretching out everything as long as humanly possible until the entire world starts watching on Hulu. I come to you today to say Raw’s main events was one of the most efficient wrestling matches I’ve seen in years in the number of feuds it built without killing overall match quality. Seth Rollins vs. The Miz vs. Finn Balor was very enjoyable.

When I say efficient, I don’t mean to say the match wasn’t long. The main event of Raw had plenty of time allotted to it. It had three very capable wrestlers able to fill time with both solid action and story. It also set up the characters involved well throughout the night.

We had Rollins and Balor both angling for a shot at Brock Lesnar’s Universal Championship. We had Dean Ambrose letting everyone know his Intercontinental Championship is more important. We had The Miz making general trouble with the three protagonists. Add in Ambrose’s surprisingly fun “interview” moments throughout the night and Wacky Dean Ambrose helped to make this match feel important.

In the actual match, we saw three individual feuds built with the three competitors. Three stories advanced to another chapter in the space of about ten minutes.

For once, interference at the end of a match didn’t feel obnoxious or overdone. Samoa Joe’s absence earlier in the show was explained when he attacked Seth Rollins prior to the conclusion. Bray Wyatt’s re-emergence as a supernatural foe for Finn Balor made sense in a similar way. Characters with solid motivations were fighting each other and circumstances lead to The Miz winning.

This was a dynamic and fun main event that I’ll remember as a sort of pinnacle of what Raw can do.

And now for some random thoughts:

– Alexa Bliss was absolutely great in the opening segment of Raw. I am not sure how else to describe it. She had a confidence she never even reached on Smackdown. She had fire behind her words. If this form keeps up for Bliss, she’ll be the best performer in WWE and it won’t even be close. This was the best promo on the whole show (that was filled with promos).

– While I’d rather see multiple women’s matches on every WWE show, they dedicated a ton of time to the eight woman tag on Raw and used it well. Alexa needed another big victory and this served a great purpose. I’m still hoping we can get a couple concurrent feuds in this division (possibly Mickie James vs. Alexa Bliss and Bayley vs. Sasha Banks) and maybe even some story to feature Emma.

– I can’t say I’m super into seeing The Miz vs. Dean Ambrose again, but I do like the chance to get the Intercontinental Championship around the waist of The Miz.

– Samoa Joe and Seth Rollins are going to yell a lot in the next month, aren’t they?

– What exactly was Bray Wyatt saying to Kurt Angle? I’m not even sure Mr. Wyatt uses real words in his promos these days.

– Is an Angle vs. Wyatt match possible? That would be a weird use of Angle.

– Bray Wyatt trying to draw out The Demon is probably going to annoy me. Others may like it. This is the subjective artistic world of professional wrestling.

– I enjoyed the opportunity Cesaro and Sheamus got to speak about/justify their actions the previous night. I did not enjoy the segment quite as much. The promo seemed to just be tossed out there without a crowd who knew how to react. It wasn’t my favorite thing on the show.

– Austin Aries vs. TJ Perkins was a fun little match. It added the necessary dynamic in-ring action Raw needs to pick it up in the final third of the show.

Got thoughts on this show or my review of it? Hit me up with them! Check the Twitter @wilpruett, leave a comment, or email me at